Divided into three segments, namely 1 Neocolonialism, 2 Act for liberation, 3 Violence and liberation, the documentary lasts more than 4 hours this deals with the defense of the revolution ...
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Taking place during the Chilean Coup d'état in 1973, this film opens with the attempted military coup of June 1973, which is put down by troops loyal to the government. The left is divided ... See full summary »
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True story of the saga that was hoped to be the long-awaited justice brought to bear upon Augosto Pinochet, Chilean dictator from 1973 to 1990. In September 1998, Pinochet flew to London on... See full summary »
Over the course of the last century, the US has silently encircled the world with a web of military bases unlike any other in history. No continent is spared.They have shaped the lives of millions, yet remain a mystery to most.
Taiwanese School: The Experiment of Sergei Eisenstein's Montage Theory is a film featuring Sergei M. Eisenstein 's montage art and revolutionary spirit, 'unification of society' as its ... See full summary »
This is a film about how the protagonist, unemployed worker Tamiya is forced to accept the slavery under the black company. His wife Noriko suggests him to not accept the offer from the black company, but..
Divided into three segments, namely 1 Neocolonialism, 2 Act for liberation, 3 Violence and liberation, the documentary lasts more than 4 hours this deals with the defense of the revolution and the revolution of the third world such as the revolt of the students in the United States and Western Europe, Czech citizens protest against the Soviet Union's State bureaucracy and also the revolution that (probably) is unprecedented in Argentina.Written by
egi david perdana
Argentinean Fernando Ezequiel Solanas and Spaniard Octavio Getino were two outstanding activists of Latin American cinema. They took different routes (Getino was the philosopher, writing about cinema, economy and politics), but in the 1960s they collaborated on one of the most important manifestos of the "New Latin American cinema", known as "Towards a Third Cinema", and together they made "The Hour of the Furnaces: Notes and Testimonies on Neocolonialism, Violence and Liberation", one of the major works of Latin American documentalism, which they defined as a "cine-act" to inform, beyond the entertainment factor. If one of the three parts that comprise this work has to be seen, "Neocolonialismo y violencia" (running 90 minutes) is the key part and the mandatory section for the specialist to see. This first part is a document with particular annotations, tinted with manichean, dogmatic or contradictory position, inherent to its Peronist proclivity; a document created in a very specific time, when several Latin American countries were living moments of intense political, cultural and social unrest, in their struggles against imperialism. However, it is as striking today as it was in 1968, because of its stylistic devices, recurring to Brecht's alienation effect and the audience's interaction (in some points of parts two and three, intertitles ask to stop the projector and start the debate), but above everything else, because of its lucid approach to neocolonialism in Latin America through a methodical analysis of a particular national history, including the complicity of local oligarchies. This is also the documentary that ends with a long shot of the lifeless face of Ernesto "Che" Guevara filling the screen.
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