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Funny Girl (1968)

The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfeld girl, subsequent career, and her personal life, particularly her relationship with Nick Arnstein.

Director:

William Wyler

Writers:

Isobel Lennart (based on the musical play by), Isobel Lennart (screenplay by)
Won 1 Oscar. Another 7 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Barbra Streisand ... Fanny Brice
Omar Sharif ... Nick Arnstein
Kay Medford ... Rose Brice
Anne Francis ... Georgia James
Walter Pidgeon ... Florenz Ziegfeld
Lee Allen Lee Allen ... Eddie Ryan
Mae Questel ... Mrs. Strakosh
Gerald Mohr ... Branca
Frank Faylen ... Keeney
Mittie Lawrence Mittie Lawrence ... Emma
Gertrude Flynn ... Mrs. O'Malley
Penny Santon Penny Santon ... Mrs. Meeker
John Harmon ... Company Manager
Thordis Brandt ... Ziegfeld Girl
Bettina Brenna Bettina Brenna ... Ziegfeld Girl
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Storyline

Early twentieth century New York. Fanny Brice knows that she is a talented comedienne and singer. She also knows that she is not the beauty typical of the stage performers of the day, she with skinny legs and a crooked nose among other physical issues. So she knows she has to use whatever other means to get her break in show business, that break so that she can at least display her talents. With the help of Eddie Ryan who would become her friend, Fanny is able to get a part in a novelty act in a vaudeville show, the renown from which eventually comes to the attention of famed impresario Florenz Ziegfeld Jr.. Fanny does become one of the Ziegfeld Follies most popular acts, despite she almost getting fired after her first performance by defying Flo's artistic vision for her closing number. Beyond stage success, Fanny also wants a happy personal life, most specifically with the suave Nicky Arnstein, a gambler in every respect of the word. Fanny loves him and loves that he loves her ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Funny That HE Should Happen to HER! See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

19 September 1968 (USA) See more »

Also Known As:

Funny Girl See more »

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Box Office

Budget:

$14,100,000 (estimated)

Opening Weekend USA:

$65,560, 3 September 2001

Gross USA:

$52,223,306

Cumulative Worldwide Gross:

$52,224,263
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (roadshow)

Sound Mix:

70 mm 6-Track (70 mm prints)| 4-Track Stereo (35 mm magnetic prints)| Dolby SR (35mm restored version)| Dolby Digital (35mm restored version)| SDDS (35mm restored version)| DTS (35mm restored version)| DTS | SDDS | Dolby

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Paul Newman declined the role of Nick Arnstein, saying that he couldn't sing or dance. See more »

Goofs

The film depicts Nick Arnstein as unmarried when he met Fanny Brice. In fact, he was already married to Carrie Greenthal. Brice and Arnstein began an illicit affair while he was married to his first wife. Arnstein's first wife later named Brice in her divorce case as the correspondent for alienation of affection. See more »

Quotes

[first lines]
Fanny Brice: [looking in the mirror] Hello, gorgeous.
See more »

Alternate Versions

The original theatrical version included an additional overture before the opening credits, an intermission after "Don't Rain On My Parade," and exit music after the end credits. These additional music pieces have been restored for the DVD release. See more »

Connections

Referenced in Fantasy Island: The Funny Girl/Butch and Sundance (1978) See more »

Soundtracks

My Man
(Mon Homme)
Music by Maurice Yvain
French lyrics by Albert Willemetz and Jacques Charles
English lyrics by Channing Pollock
Performed by Barbra Streisand
See more »

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User Reviews

 
A Funny Girl Happened on the Way to the Follies.
21 February 2001 | by gbrumburghSee all my reviews

There are not enough superlatives in the world to bestow on Barbra Streisand for her rags-to-riches portrayal of 20s Ziegfeld Follies star Fanny Brice. To say she gives the single most triumphant musical performance ever showcased on the silver screen could be close. I am constantly bowled over with each viewing at how the 26-year-old Brooklyn novice ever pulled off this incredible stunt. Cinderella playing Cinderella. Even the finicky Hollywood powers-that-be, who NEVER use untried screen talent for such a weighty role (Julie Andrews and "My Fair Lady" come to mind), knew that nobody but Barbra could inhabit this part. She won the Oscar, naturally, and it was befitting that the newcomer should share this honor with perhaps the greatest screen legend ever, Katharine Hepburn.

Barbra's Fanny Brice first conquered Broadway where she lost the Tony award to another irrepressible talent, Carol Channing, for "Hello Dolly!" She got her revenge of sorts years later when she won the coveted screen role of Dolly due strictly to her auspicious debut in "Funny Girl." Transferred to celluloid, the movie loosens its bustles quite a bit and grants more breathing room for Barbra to expand her natural comic and dramatic talents both keenly and intimately amid the elaborate sets and costumes.

The timing of this film couldn't have been better for Streisand. The late 60s ushered in a new legion of stars. The rash of talent coming to the forefront purposely lacked the super-model good looks and incredibly-sculpted physiques of their predecessors. Audiences now clamored for realism...human imperfection. What less attractive guys like Dustin Hoffman and Al Pacino did for the men, Barbra did for the distaff side. She dragged out her own Cinderella version, making a virtue of her odd looks and gawky gait while laying out her two big trump cards -- she was a supreme song stylist and a gifted, self-deprecating cut-up.

Hardly ever off screen, Streisand totally immerses herself in the role of chorus clown-turned-Ziegfeld headliner, weaving a spell around each and every song she touches. From the stubbornly optimistic "I'm the Greatest Star" to the profoundly touching "My Man", the actress matures Brice into the glowing swan of her own dreams, while exposing a deep, personal vulnerability she never recaptured (or allowed) again on screen -- to her detriment.

Despite heavy critical lambasting, I still say exotically handsome Omar Sharif was indeed the consummate choice to play wanderlust husband and card shark Nicky Arnstein. Polished, prideful and totally in his element as the global-gambling playboy, one can believe the ungainly Fanny (or Streisand, for that matter) placing this glossy god on a pedestal. It may not appear to be much of a stretch (in real life, Sharif was a world-class bridge player), but he owns the part as much as delightful Kay Medford does as Brice's droll Jewish mama. Everyone else, however, is pretty expendable. It's been said that Anne Francis blamed Streisand for her supposedly top featured role being butchered. If it's true, she has an open-and-shut case. Francis was left with a nothing part.

Highly fictionalized and weak as biography, Streisand champions above the sometimes grandiose material from the moment she utters her first classic words: "Hello, gorgeous!" And so she is.


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