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The Fixer (1968)

M | | Drama | October 1969 (UK)
In Czarist Russia, around 1911, a Russian-Jewish handyman, Yakov Bok, is wrongly imprisoned for a most unlikely crime.

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(novel), (screenplay)
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Nominated for 1 Oscar. Another 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Marfa Golov
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Lebedev
...
Zinaida
...
Grubeshov
...
Latke
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Count Odoevsky
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Raisl
...
Deputy Warden
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Priest
...
Berezhinsky
...
Ostrovsky
Thomas Heathcote ...
Proshko
...
Father Anastasy
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Storyline

Set in tsarist Russia around the turn of the century and based on a true story of a Russian Jewish peasant Yakov Bok who was wrongly imprisoned for a most unlikely crime - the "ritual murder" of a Gentile child in Kiev. We witness the unrelenting detail of the peasant-handyman's life in prison and see him gain in dignity as the efforts to humiliate him and make him confess fail. Written by alfiehitchie

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Taglines:

This is "The Fixer" who didn't know he had courage...until courage was all he had left. See more »

Genres:

Drama

Certificate:

M | See all certifications »
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Details

Country:

Language:

Release Date:

October 1969 (UK)  »

Also Known As:

El hombre de Kiev  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

John Frankenheimer said that the original rough cut was four hours and forty-five minutes. See more »

Quotes

Bibikov: The law will protect you unless you're guilty.
[closes the door]
Yakov Bok: [shouting] Guilty of what?
See more »

Connections

Referenced in Lionpower from MGM (1967) See more »

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User Reviews

 
Captures the strengths of the book
22 February 2002 | by See all my reviews

It is not often that cinema can do justice to a great novel. This one brings out the existential questions of the lead character Yakov Blok in an honest manner, true to the original. I think I would place the credit more with screenplaywriter Dalton Trumbo for this effort. He did not even change some of the key lines of the book. I wonder what Malamud would have thought of the script.

Frankenheimer needs praise in some sequences, the prison sequences and the seduction sequence--but what amuses me no end is why he chose to cast the three actresses who speak their lines with no care for even a semblance of being East European.

Alan Bates, Dirk Bogarde, Hugh Griffith, David Warner and Ian Holm are all good actors but Frankenheimer made no effort to make them speak like Russians or East Europeans. Bogarde is predictable in his role, but Alan Bates carried the film. He alone played his role with conviction. Maurice Jarre's music was good but not his best.

Like "Gandhi" this film will be remembered because of the subject, not because of its cinema. The true hero was not Bates, not Trumbo, not Frankenheimer--it was Malamud!


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