An Irish immigrant and his daughter move into a town in the American South with a magical piece of gold that will change people's lives, including a struggling farmer and African American citizens threatened by a bigoted politician.
A happy and unbelievably lucky young Irish immigrant, John Lawless, lands a job as the butler of an unconventional millionaire, Biddle. His daughter, Cordelia Drexel Biddle, tires of the ... See full summary »
Sergeant Ernie Bilko is the ultimate con man. He runs the motor pool at a small Kansas U.S. Army Camp. Colonel Hall, nominally in charge of the base, tries to keep Bilko's plans in check. ... See full summary »
A scientist is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
Of Glocca Morra, Ireland, Finian McLongeran, who has his own unique belief system of Irish legends, uproots himself and his adult daughter, Sharon McLonergan, and heads for the mythical land of Rainbow Valley, Missitucky, USA where he believes he will become rich. One of those beliefs is that burying a crock of gold in Rainbow Valley will make it multiply, due to the power of rainbows and the Valley's close proximity to Fort Knox. Finian considers that he "borrowed" the crock of gold he has from the leprechauns of Glocca Morra, which he plans to return once he makes his fortune. Little does he know that in taking the gold, the leprechauns can no longer make wishes come true and are slowly turning mortal. One of those leprechauns, Og, has come to retrieve the crock of gold to save himself and his fellow leprechauns. Finian and Sharon's arrival in Rainbow Valley coincides with the return of the Valley's prodigal son, Woody Mahoney, who has come to repay back taxes before his land is ...Written by
According to the commentary track on the DVD, choreographer Hermes Pan was fired part of the way through production because Francis Ford Coppola felt his choreography was too old-fashioned. Pan was replaced by a much younger choreographer, Claude Thompson, who was familiar to many of the dancers in the film. See more »
When Ogg is talking to Finian at the creek, he falls in the water. Seconds later his hair is completely dry and combed. See more »
Senator Billboard Rawkins:
[dictating a speech to Buzz]
Gentlemen, the festering tides of radicalism are upon us. But before I yield up our glorious South -and her sister commowealth, the U.S. of A - I will lay down my life. I will do more - I will filibuster. Back, you crackpots! Forward, America! Forward to the hallowed principles of our forefathers. Forward to the sweet tranquility of the status quo. Forward... to yesterday!
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introducing Barbara Hancock as "Susan the Silent" See more »
Filmed in 35mm, Warners decided afterwards to promote it as a "reserved-ticket roadshow attraction" and converted it to 70mm, creating a wider-screen aspect ratio by cropping away the tops and bottoms of the images, and cropping away Fred Astaire's feet during some of his dance scenes. Restored versions show the original aspect ratio. See more »
Definitely worth a second - or even a third - look!
I remember seeing this film when it was first released. I absolutely hated it - too slow-moving, and the male romantic lead was a cipher. Even the songs were manipulated to the point that I could barely stand to listen to them. Tommy Steele was far too frenetic as Og, the leprechaun. Its saving graces were Fred Astaire, Petula Clark (although she seemed too old in the role of Sharon), and Keenan Wynn. I've avoided it like the plague ever since.
Tonight, thanks to Turner Classic Movies, I finally watched it again. And you know what? It's a lot better than I remembered. I don't know what has caused the turnabout in my opinion, except perhaps the lack of quality of most of the musical films that have come along since FINIAN'S RAINBOW in 1968. It still has a few longueurs, but generally it's very enjoyable. Even Tommy Steele isn't too bad. Don Francks is still dramatically stiff, but he's better than I remembered, and he sings well. And oh, those songs! It's a shame that "Necessity" was cut, but otherwise, what a string of melody - How are Things in Glocca Morra, Old Devil Moon, When I'm not Near the Girl I Love, and more.
Thank you, TCM, for giving me a second chance with this film!
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