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The Devil Rides Out (1968)

G | | Horror | 20 July 1968 (UK)
Trailer
2:28 | Trailer

On Disc

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Devil worshipers plan to convert two new victims.

Director:

Terence Fisher

Writers:

Richard Matheson (screenplay), Dennis Wheatley (novel)
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Cast

Complete credited cast:
Christopher Lee ... Duc de Richleau
Charles Gray ... Mocata
Nike Arrighi Nike Arrighi ... Tanith Carlisle (as Niké Arrighi)
Leon Greene ... Rex Van Ryn
Patrick Mower ... Simon Aron
Gwen Ffrangcon Davies ... Countess
Sarah Lawson ... Marie Eaton
Paul Eddington ... Richard Eaton
Rosalyn Landor ... Peggy Eaton
Russell Waters Russell Waters ... Malin
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Storyline

In the countryside of England, the Duc de Richleau a.k.a Nicholas welcomes his old friend Rex Van Ryn that has flown to meet him and Simon Aron, who is the son of an old friend of them that had passed away but charged them the task of watching the youngster. Nicholas and Rex unexpectedly visit Simon that is receiving twelve mysterious friends. Sooner Nicholas, who is proficient in black magic, learns that the guests are member of a satanic cult and Simon and his friend Tanith Carlisle will be baptized by the powerful leader Mocata to serve the devil. The two friends abduct Simon and Tanith expecting to save their souls but Mocata summons the Angel of Death and the Goat of Mendes to help him in a battle between the good and the forces of evil. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

The beauty of woman... the demon of darkness... the unholy union of "The Devil's Bride"!

Genres:

Horror

Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

20 July 1968 (UK) See more »

Also Known As:

The Devil Rides Out See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Patrick Allen also did the voice-over for the U.K. trailer. See more »

Goofs

During the opening credits, a symbol is shown that is not Satanic, and it is also incorporated into the symbol on the priestly robes during the film. Inscribed within a Star of David, there is a six-winged seraph with the faces of a man, lion, ox and eagle based on the vision of Ezechiel. In Christian tradition, the four faces become associated with the four gospel writers: Matthew, Mark, Luke and John. See more »

Quotes

Duc de Richleau: I'd rather see you dead than meddling with Black Magic!
See more »

Alternate Versions

The 2012 UK Blu-ray Disc released by Studio Canal features digitally enhanced special effects. The makers of the Blu-ray claim to complete shots which had never been finished due to budget reasons:
  • Matte shot of Simon's mansion with the Observatory dome has been replaced with a CGI background.
  • During the ritual at the climax of the movie a lightning has been replaced with a new CGI lightning.
  • Spider sequence: Shadow for the spider has been added, some matte shots enhanced, and digital smoke added when the spider is sprayed with holy water.
  • The Angel of Death sequence: A light effect is illuminating the door to cover the poor original optical effect when the angel rides through the door. The close up of the Angel of Death has a new background with flames as the original intended shot was never finished.
  • The matte shots of Charley Grey's death in the fire have been digitally corrected as there were optical errors in the layers of the matte shots.
  • Several other matte shots have been improved by removing matte lines.
See more »

Connections

Featured in Hammer: The Studio That Dripped Blood! (1987) See more »

Frequently Asked Questions

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User Reviews

Not all that it could be, but better than most
27 October 2003 | by clore_2See all my reviews

Last night I saw this film for the first time in 35 years. Time has been kinder to it than it has to many Hammer films, but this one is less driven by effects and make-up and more by dialog.

That's all for the better because once again, when need be, Hammer fails in the effects department. I had forgotten how the theater went wild in 1968 while looking at the cheap tarantula effect - was it growing or not, the perspective changed constantly.

Some of the effects are of the "stop the camera" variety, no more convincing here than on "Lost In Space." But still, it is the performances, situations and the dialog that engage us. Christopher Lee, who brought the project to Hammer, seems to be enjoying himself as the Duc de Richleau, finally getting to play a hero. His longtime friend Rex, played by Leon Greene (but voiced by Patrick Allen) is a real stalwart guy, given to punching out windshields when necessary, climbing into car trunks, and throwing a crucifix from a running board to eliminate the specter of the devil himself.

The best scene has Lee and company in a circle in which to protect themselves from the evils sent by Mocata, played by Charles Gray with a suaveness that matches the twinkle of his blue eyes. Mocata tries every trick in the book, including trying to make it appear that the daughter of the household is being threatened by the tarantula, as well as an Angel of Death on horseback (it is a large room). Meanwhile, outside, Rex has a potential female victim tied up for her own good, she later becomes a medium when the previously "threatened" little girl is kidnapped - to take the place of the medium on the sacrificial altar!

Nike Arrighi plays the "medium" - a young woman who was to have been re-baptized as a servant of the devil, but whose life now hangs in the balance between the black magic of Mocata, or the efforts of the Duc de Richleau, and she has more talent than most of the Hammer actresses of the period. The Duc's friend Rex falls for her, but is hard pressed to keep up with the spells of Mocata, who will stop at nothing to reclaim his servant.

What really helps the film is a great sense of period - somewhere midway between the two world wars. The props (especially the vehicles) and costumes are quite right, and the landscapes are far more diverse than the usual Bray Studios trappings. There's no doubt that the team sought to make this one special and shoot on some real locations - and it's perhaps here rather than in the effects that the budget was concentrated. All in all, despite some shortcomings, a very enjoyable Hammer film, a solid Richard Matheson script from a superior Dennis Wheatley novel makes for exciting viewing, far superior to the previous Satanic Hammer film "The Witches" (aka "The Devil's Bride") and equal to the later adaptation of Wheatley's own "To the Devil A Daughter" - the last Hammer film which may have its less than sterling reputation for that measure alone.


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