International man of mystery Diabolik and his sensual lover Eva Kant pull off heist after heist, all while European cops led by Inspector Ginko and envious mobsters led by Ralph Valmont are closing in on them.
In psychedelic swinging 60s style, the dreaded thief Diabolik wreaks havoc on a generic European country for his own financial gain and amusement. He shares an extravagant underground lair (and a giant bed of money) with his curvaceous, beautiful girlfriend...who uses her awesome powers to help Diabolik foil gangsters and steal billions from the government. As the anti-hero of the film, Diabolik must face off against bumbling cops and revenge-seeking mafiosi.Written by
Michael "Rabbit" Hutchison <firstname.lastname@example.org>
When Eva stops at the filling station, the road is only slightly wet. Two shots later, when she's being watched by the agent, it is raining distinctly and the road is really wet. See more »
All right, how we doing?
The last bag.
[flicks through a small pile of white paper the size of dollar bills]
All plain paper. Hm, very clever! You know, I wonder how security would feel if they knew they were guarding waste paper instead of ten million dollars?
[puts the remaining "bills" into the bag]
Well, seems to be it.
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The most widely seen version, seen on Mystery Science Theatre 3000, has trimmed many scenes so it could fit in the 2-hour time slot, along with the host segments. See more »
I've rented "Danger: Diabolik" three times now, and each time I discover more to enjoy. I recommend setting aside any prejudice that may accompany Mario Bava's name (or John Phillip Law's, for that matter), and viewing it with the same frame of mind as you would for viewing a Connery-era Bond film or either of the "Flints": as stylish period pieces; heavy on action, light on plot logic, and all done with tongue-in-cheek.
Sure, Law's acting skills are slight, but so are Connery's. And Diabolik manages a most unusual thing for a super-dude: he is happily faithful to his mate (played by the ravishing Marisa Mell) for the entire film.
The sets are (with one exception) terrific - at least as good as Bond's or Flint's. The costuming, cinematography and action scenes are top-notch. Ennio Morricone's score is just about the best I've heard in it's genre. There are enough plot twists and clever bits to keep anyone interested.
Give it a try; I think you'll be pleasantly surprised.
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