Danger: Diabolik (1968)

International man of mystery Diabolik and his sensuous lover Eva Kant pull off heist after heist, all while European cops led by inspector Ginko and envious mobsters led by Ralph Valmont are closing in on them.

Director:

Mario Bava

Writers:

Angela Giussani (story), Luciana Giussani (story)

Stars:

John Phillip Law, Marisa Mell, Michel Piccoli

Cast

Cast overview, first billed only:
John Phillip Law	...	Diabolik
Marisa Mell	...	Eva Kant
Michel Piccoli	...	Inspector Ginko
Adolfo Celi	...	Ralph Valmont
Claudio Gora	...	Police Chief
Mario Donen	...	Sgt. Danek
Renzo Palmer	...	Minister's Assistant
Caterina Boratto	...	Lady Clark
Lucia Modugno	...	Prostitute
Annie Gorassini	...	Rose
Carlo Croccolo	...	Lorry Driver
Lidia Biondi	...	Policewoman (as Lidia Biondi C.S.C.)
Andrea Bosic	...	Bank Manager
Federico Boido	...	Valmont's Henchman
Tiberio Mitri	...	Valmont's Henchman

Storyline

In psychedelic swinging 60s style, the dreaded thief (and killer) Diabolik wreaks havoc on a generic European country for his own financial gain and amusement. He shares an extravagant underground lair (and a giant bed of money) with his curvaceous, superficial girlfriend...who uses her awesome powers of wig-wearing to help Diabolik kill innocent people and steal billions from the government. Nonetheless, Diabolik is the "hero" of the film because he must face off against bumbling cops and revenge-seeking mafiosos.

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Plot Keywords:

death penalty | underground base | jaguar e type | crane the machine | crime syndicate | 

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Taglines:

Meet Diabolik - a bank-robbing hood who battles the cops.

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Genres:

Action | Comedy | Crime

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Certificate:

Not Rated

Details

Country:

Italy France

Language:

English

Release Date:

May 1968 (USA)

Also Known As:

Danger: Diabolik

Filming Locations:

Capri, Italy

Box Office

Budget:

$400,000 (estimated)

Company Credits

Production Co:

Dino de Laurentiis Cinematografica, Marianne Productions

Technical Specs

Runtime:

105 min

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

According to John Phillip Law, the first choice for the role of Eva Kant was an unknown model from New York, who was a friend of Charlie Bluhdorn, the CEO of Gulf & Western, the conglomerate that owned Paramount Pictures (which had been contracted to distribute the film in the US); she was fired from the film shortly before shooting began. At the suggestion of Barbarella (1968) director Roger Vadim, Catherine Deneuve was cast and lasted for about a week, until Law, Mario Bava and Dino De Laurentiis decided that she was miscast. Bava was asked to recast Eva; after considering both Marilù Tolo and Marisa Mell, he decided that Mell was the perfect choice for the role, although he would later cast Tolo as the female lead in Roy Colt and Winchester Jack (1970).

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Goofs

Gold does not cool quickly enough in normal room temperature for a person to become a statue like Diabolik became.

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Quotes

Ralph Valmont: Is that stud coming?

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Connections

Referenced in Kizil maske (1968)

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Soundtracks

Deep Down
Music by Ennio Morricone
Performed by Maria Cristina Brancucci (as Christy)

User Reviews

What's wrong with you people?

What's the matter with you people? Doesn't anyone enjoy a good, fun, cheesy Italian spy flick anymore? These are the same people who don't like Godzilla films because they can't get over the low-budget special effect and the "silliness", and who can't tolerate anything different than mega-budget hollywood blockbusters, and that just breaks my heart. I kind of enjoyed seeing it on MST3K, but I was dissappointed that they included it in the same league as the truly awful (but no les enjoyable) Hobgoblins and Space Mutiny. This is one of the great 60s films as far as i'm concerned. What really sets the films apart is stylish cinematography and direction by the great, sadly underappreciated Mario Bava, also responsible for great films like Black Sabbath, Planet of the Vampires, Bay of Blood, Lisa and the Devil, and the gritty, cynical Rabid Dogs, which was a real surprise after Diabolik. (Even if you hated Diabolik, you owe it to yourself to track down a copy of Rabid Dogs). Also noteworthy is the psychedelica-tinged score by the great Ennio Morricone, my favorite film composer.