International man of mystery Diabolik and his sensuous lover Eva Kant pull off heist after heist, all while European cops led by Inspector Ginko and envious mobsters led by Ralph Valmont are closing in on them.
Two outlaws compete with each other over a treasure map that will lead them to buried gold while one of them is in league with a sadistic priest-turned-crime lord, while a young Native ... See full summary »
A lone rider comes across a dying soldier, the victim of an Indian attack, who gives him a paper authorizing the payment of $150,000 to the U.S. Army. The rider gathers some colleagues who ... See full summary »
In psychedelic swinging 60s style, the dreaded thief (and killer) Diabolik wreaks havoc on a generic European country for his own financial gain and amusement. He shares an extravagant underground lair (and a giant bed of money) with his curvaceous, superficial girlfriend...who uses her awesome powers of wig-wearing to help Diabolik kill innocent people and steal billions from the government. Nonetheless, Diabolik is the "hero" of the film because he must face off against bumbling cops and revenge-seeking mafiosos.Written by
Michael "Rabbit" Hutchison <firstname.lastname@example.org>
John Phillip Law was asked to audition for Diabolik by Dino De Laurentiis as a favor because the filming of Barbarella (1968), for which Law had already been cast in as Pygar, had been postponed. An avid comic book fan since childhood, Law studied Angela Giussani and Luciana Giussani's original "fumetti" for inspiration, as he had done for Barbarella. Upon realizing that the most distinctive aspect of Diabolik's physical appearance was his eyebrows, he applied mascara to his own and trained himself to convey a wide array of expressions with them. Upon meeting with De Laurentiis and Mario Bava, the director exclaimed "Ah, questo Diabolik!" ("This is Diabolik!"), indicating to Law that he had won the part. See more »
After the emerald heist, as Diabolik is pulling the "mirror" across the road, he is wearing no mask as he begins, then it cuts to a shot with his mask on, then he is mask-less once again as he finishes pulling. See more »
You've been asleep for twenty hours.
I slipped you a sleeping pill.
[Eva gently kisses his nose]
When you're not planning, I'm afraid you get restless. I'd rather have you sleep.
See more »
If you enjoy 60s pop culture, comic books, Pop Art, psychedelia, trash and the Bond and Flint movies then don't miss 'Diabolik'!
A quick glance at the user comments for 'Diabolik' will show that it is a movie which divides people to say the least. Some misguided fools and the asinine Mystery Science Theatre 3000 gang (who actually screened an edited version of the movie when they parodied it in their last episode) think it is one of the worst movies ever made. I pity them. The rest of us (including Mike Myers and The Beastie Boys - see their "Body Movin'" video for an affectionate homage) love it as one of the best examples of 1960s Pop Art kitsch. 'Modesty Blaise' was I think the first of the 60s European comic book adaptations in this style, followed closely by 'Barbarella' and then 'Diabolik'. Later in the early 70s there was 'Baba Yaga', the last gasp for this short lived genre. Too bad, because I just can't get enough of this stuff! 'Diabolik's director Mario Bava is a horror legend largely because of brilliant movies like 'Black Sunday' and 'Kill, Baby... Kill!' but he was in fact very versatile, not just making Gothic horror classics, but also science fiction, westerns, Hercules movies and hard boiled crime thrillers. And then there's 'Diabolik', something else again. John Phillip Law, who played the blind angel Pygar in 'Barbarella', as well as appearing in cult favourites like 'Death Rides A Horse' and 'Open Season', is perfectly cast as Diabolik. Many criticize Law's performance, which is admittedly pretty wooden, but I didn't have a problem with it. He suits the material, which let's face it, isn't exactly Shakespeare. Marisa Mell ('Mad Dog') plays Diabolik's beautiful partner in crime Eva Kant, Bunuel regular Michel Piccoli ('Belle De Jour', 'La Grande Bouffe') is Diabolik's nemesis Inspector Ginko, Adolfo Celi ('Thunderball', 'That Man From Rio') plays Valmont, a rival criminal mastermind, and Terry-Thomas ('I'm All Right Jack', The Abominable Dr Phibes') is the Minister Of Finance. Bava was working with quite a small budget (less than half a million US dollars - for comparison 'You Only Live Twice' cost nine MILLION more!) but achieved wonders, a testament to his skill and creativity. It's a very stylish movie with some wonderfully inventive visuals, especially Diabolik's cave which is very impressive considering the lack of money you'd generally expect for this kind of movie. Added to that a fantastic score from Morricone, which many fans believe is one of his very best, if not THE best. If you want to see one of the inspirations for the Austin Powers series, especially if you enjoy 60s pop culture, comic books, Pop Art, psychedelia, trash and the Bond and Flint movies then don't miss 'Diabolik'. The rest of you can wait until 'Bad Boys 3' or whatever drivel you think is a good, fun popcorn movie. In my opinion, anyone who slams this movie is beyond redemption!
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