A rich but lonely woman, Frances Austen, one day invites a homeless young man from a nearby park to her apartment and offers to let him live there. However, she has no intention of ever letting him leave again.
This documentary, which was undertaken soon after James Dean's death, looks at Dean's life through the use of still photographs with narration, and interviews with many of the people ... See full summary »
The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the... See full summary »
A parody and satire of the U.S. political scene of the time, HealtH is set at a health food convention at a Florida luxury hotel, where a powerful political organization is deciding on a new president.
When the U.S. learns the Soviets are about to launch a manned mission to the moon, they feel it imperative that they get there first. The moon program isn't ready to launch yet so they decide to send one man in a modified Gemini capsule that will be able to land on the moon. The astronaut will have to stay there for up to a year - in a special built shelter that will be sent ahead of time - until an Apollo mission can rescue him. The obvious choice for the mission is Chiz, who knows the Gemini inside out but the Soviets are sending civilians, not military men, so geologist Lee Stegler is asked to go. He has only three weeks however to learn about the intricacies of the spacecraft and no one is sure if he will make it.Written by
Robert Altman finished shooting on Friday only to receive a call on the Sunday night telling him that he would not be allowed through the gates of Warner Brothers again. Jack L. Warner had looked at some of the footage and insisted on Altman's immediate firing because "that fool has actors talking at the same time". See more »
When James Caan is sitting in his car outside the space center building, a shadow and reflection of the crew/boom mike can be seen on the car. See more »
What's he doing?
Every time he gets that Peter Pan rig on, he thinks he can fly.
That's not smart.
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"Countdown," Robert Altman's first theatrical release, is the only film I've seen by the prolific director that feels nothing like an Altman project. A bit of history surrounding it reveals that Altman battled the studios over creative control, and that the final version of the film exists more as a product of the studio than of the auteur. Never again, for better or worse, would Altman relinquish control of his films, a tenacity that won him an instantly recognizable style not afforded to many other directors.
So "Countdown" isn't terribly interesting formally and feels like it could have been directed by anybody, but that's not to say it isn't an interesting movie. Released a year before man actually landed on the moon, it provides a remarkably accurate guess at what such a feat would look like, and the film is played with conviction by a strong cast of actors led by James Caan, Robert Duvall and Michael Murphy. Duvall and Murphy would appear again in "MASH," and Murphy would go on to become an Altman regular. Barbara Baxley, known to Altman devotees as Haven Hamilton's wife in "Nashville," fulfills wifely duties in this film as well, though women may as well not even exist for all the attention the screenplay affords them.
As a studio film, "Countdown" isn't half bad. As an Altman film, it's one of his weakest. But nevertheless, it's well worth seeking out, especially for fans of the iconoclastic director.
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