Several competing groups and mavericks (including the lead character Cuchillo) are hunting a gold treasure of $3,000,000. The gold was reserved for the Mexican revolution.
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Title: Corri uomo corri (1968)
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Cast
| Cast overview, first billed only: | |||
| Tomas Milian | ... | Manuel 'Cuchillo' Sanchez | |
| Donald O'Brien | ... | Nathaniel Cassidy (as Donal O'Brien) | |
| Linda Veras | ... | Penny Bannington | |
 |
Marco Guglielmi | ... | Colonel Michel Sévigny |
| José Torres | ... | Ramirez | |
| Luciano Rossi | ... | Jean-Paul (as Edward Ross) | |
| Nello Pazzafini | ... | Riza | |
|
|
Gianni Rizzo | ... | Mayor Christopher Bannington |
|
|
Dante Maggio | ... | Mateos Gonzalez (as Dan May) |
|
|
Umberto Di Grazia | ... | José |
| Noé Murayama | ... | Pablo | |
| Attilio Dottesio | ... | Manuel Etchevaria | |
| Orso Maria Guerrini | ... | Raul | |
| Federico Boido | ... | Steve Wilkins | |
|
|
Calisto Calisti | ... | Fernando Lopez |
Edit
Plot Summary
|
Add Synopsis
Storyline
Several competing groups and mavericks (including the lead character Cuchillo) are hunting a gold treasure of $3,000,000. The gold was reserved for the Mexican revolution.
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Details
Release Date:
29 August 1968 (Italy) See more »Also Known As:
Big Gundown 2: Run, Man, Run See more »Company Credits
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Technical Specs
Runtime:
Sound Mix:
MonoColor:
Color (Eastmancolor)Aspect Ratio:
2.35 : 1
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Sung by Tomas Milian
Choir by Cantori Moderni Di Alessandroni (uncredited)
Composed by Ennio Morricone (uncredited), Bruno Nicolai (uncredited) and Giuliano Tilesi (uncredited)
Lyrics by Peter Boom (uncredited)
See more »
Did You Know?
Trivia
This sequel came to be made due to the extreme popularity of the character Cuchillo Sanchez in the film La resa dei conti (1966), despite Cuchillo not being the lead in that film. Director Sergio Sollima said in an interview the reason for this is because the first time in Western film history we had a character that was a Mexican peon, a "dreamer" and a "thief", yet likable at the same time. See more »Soundtracks
Espanto Enel CorazonSung by Tomas Milian
Choir by Cantori Moderni Di Alessandroni (uncredited)
Composed by Ennio Morricone (uncredited), Bruno Nicolai (uncredited) and Giuliano Tilesi (uncredited)
Lyrics by Peter Boom (uncredited)
See more »
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Enjoy a night in with these popular movies available to stream now with Prime Video.
Imagine an Italian western inspired by Marx - not Groucho, but KARL. Springing from the loins of the European mini-revolutions of 1968 comes a western with a conscience, courtesy of spaghetti socialist Sergio Sollima, who recycles his most memorable character from the 1967 The Big Gundown and builds an entire film around him.
Cuban-born Tomas Milian returns as Cuchillio, a wily yet endearingly naive opportunist who's quick with a knife but not so quick on the uptake. A quick spell in a border prison sees him share a cell with a seditious poet named Rodriguez, whose dying breath reveals the last resting place of a $3 million cache of revolution-bound gold. And so begins Cuchillio's journey, spreading his proto-revolutionary seed across the Texas border whilst pursued by a sleazy assortment of cutthroats and would-be revolutionaries, spaghetti western regular Donal O'Brien playing a sheriff with a conscience, two French secret agents, his jealous fiancé Dolores (played by the fiery Chelo Alonso), and a blond sergeant in the Salvation Army, a woman who sticks out of her unlikely surroundings like a turd tambourine. Cuchillio himself spends most of his screen time bound, gagged with dynamite, spreadeagled in some godforsaken location, or in one stunning sequence, strapped to the blade of a windmill. And STILL He doesn't lose his sense of humor.
Like The Good The Bad And The Ugly it's a deliberately open-ended epic quest for hidden treasure, but without Leone's grandiose scale and pretentious camera histrionics. It's more like The Wizard of Oz wrapped in a burrito, and peppered with the most random of supporting characters. The usual grimness of these spaghetti westerns is contrasted with Tomas Milian's comic timing, a rousing score by an uncredited Ennio Morricone, and a surprising cameo from veteran American actor John Ireland as a crusty, battle-scarred soldier of the class struggle.
Socialist westerns don't usually come this entertaining - come to think of it, socialists are rarely funny at all! So enjoy the picaresque, picturesque and thankfully undogmatic 1968 Run Man Run.