Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Coogan, an Arizona deputy sheriff, is sent to New York to collect a prisoner who escaped from custody in Arizona. Everyone in New York assumes Coogan is from Texas, much to his annoyance. To add to Coogan's problems the prisoner is in Bellevue after taking a trip on LSD trip while In custody so he decides to cut a few corners. In the process the prisoner escapes, steals Coogan's gun and Coogan is ordered home. Too proud to return home empty handed, Coogan sets out into the big city to track down and recapture his prisoner.Written by
Susan Clark's character appears to be humming the final verse of 'Gloomy Sunday' while making dinner. See more »
At the end, when Coogan and Ringerman are in the helicopter, the view in the window is in fly-over country. The next scene they are just taking off from the top of the Pan Am bldg. They are, in fact, ground taxiing across the roof of the building prior to departure. See more »
It would be easy to dismiss this movie as lightweight entertainment however this is a much more interesting film if for no other reason than it is the first pairing of Siegel and Eastwood one of the most interesting partnerships in cinema that between 1968 and 1971 produced four good movies and at least one classic, "Dirty Harry". In this film Clint forged a bridge between his cowboy persona and the contemporary characters that he went on to play. While it was released to theatres the frame compositions look better in 4;3 TV ratio suggesting that like another Siegel film, "The Killers" this was produced with TV in mind and released to cinemas when the quality of the piece became apparent. I think this might explain why it has taken so long for a 1.85 transfer to be released and why the quality of the DVD is so poor, full frame prints look fine. Also the use of what looks like pre-standing sets gives it a low budget TV feel. With "Play Misty for me" Clint became a director and Siegel appeared as an actor thus the partnership was ended, the pupil became the master. Clints style as a director owes much to Siegel and he still has the economy which was a hallmark of Siegels work. Another partnership that began in this film was with actor Albert Popwell who went on to appear with Clint in the first four Dirty Harry movies,portraying a different role in each film. So as an Eastwood or a Siegel fan this is a must see pivotal movie and contains much of their trade mark craft even on a low budget. Don Stroud is as ever a bonus as is Susan Clark.
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