High profile San Francisco Police Lieutenant Frank Bullitt is asked personally by ambitious Walter Chalmers, who is in town to hold a US Senate subcommittee hearing on organized crime, to guard Johnny Ross, a Chicago based mobster who is about to turn evidence against the organization at the hearing. Chalmers wants Ross' safety at all cost, or else Bullitt will pay the consequences. Bullitt and his team of Sergeant Delgetti and Detective Carl Stanton have Ross in protective custody for 48 hours over the weekend until Ross provides his testimony that upcoming Monday. Bullitt's immediate superior, Captain Samuel Bennet, gives Bullitt full authority to lead the case, no questions asked for any move Bullitt makes. When an incident occurs early during their watch, Bullitt is certain that Ross and/or Chalmers are not telling them the full story to protect Ross properly. Without telling Bennet or an incensed Chalmers, Bullitt clandestinely moves Ross while he tries to find out who is after ...Written by
"BULLITT comes to this theatre soon. That ought to shake up the place pretty good. Not many freaky cops like BULLITT around. You look at the Italian shoes and the turtleneck and you have to wonder. You listen to the official beefs about 'personal misconduct', 'disruptive influence', you figure he's got to be up for trade. But when some rare Chicago blood starts spilling in San Francisco, they give BULLITT the mop. They weren't exactly doing him a favour. But they've done a great big one for you" See more »
The license plate on the Mustang is JJZ 109. See more »
In Airport chase Bullit is carrying a .45 caliber automatic down by his side while Renick displays a revolver beneath his jacket. In the following shoot-out Bullit shoots Renick with the revolver while Renick falls through the glass doors, dropping the .45 automatic. See more »
Lieutenant, don't try to evade the responsibility. In your... parlance, you blew it. You knew the significance of his testimony, yet you failed to take adequate measures to protect him. So to you, it was a job, no more. Were it more, and you had the dedication I was led to believe...
You believe what you want. You work your side of the street, and I'll work mine.
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During the car chase, when the Charger goes wide on a corner and hits a camera, the film was salvaged and red frames added at the end, to give a "point of impact" impression. Despite this gag being in situ for decades, on the current Cinemax Asia print, someone has seen fit to completely remove these last frames of the shot. See more »
McQueen was really the King of Cool. I have read many comments here about this film, and some say it is slow, some say it is an action thriller. Thrilling it is! Steve did not have to jabber in every scene to dominate this film. The car chase is unequaled to this day. How can anything on the road in later years compare to the "muscle cars" of the late 60s? But Steve was the star, make no mistake, and even though the dialogue was minimal, it was enough. Steve McQueen had that power on the screen. He remains one of Hollywood's best, even though he passed away over twenty years ago. We will not see the likes of him for many more years. Women loved him, men loved him too. If you have not seen many of his films, watch any you can. Watch him in Tom Horn (1980), and Papillon (1973). Try The Getaway (1972), Junior Bonner (1972)and the humorous The Reivers (1969). Of course, The Sand Pebbles (1966) , The Great Escape (1963), and the ever classic The Magnificent Seven(1960) are among his most popular films. You never go wrong with any of these.
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