A film that examines the relationships between lives on both sides of the proscenium, Petr Zelenka's Karamazovi finds a Prague-based theatrical ensemble arriving in Krakow, Poland - where ... See full summary »
Jerzy Michal Bozyk,
Set in present day Japan in a provincial town, Bunzo Kurosawa, a greedy and violent father, is murdered in his own home. Bunzo has 3 sons: oldest son Mitsuru (Takumi Saito), second son Isao... See full summary »
Based on the novel by Fyodor Mikhailovich Dostoevskiy "Bratya Karamazovi", it was his last novel which was supposed to be the first in a series but unfortunately was his last one. This ... See full summary »
Raskolnikov, an impoverished ex-law student, kills an old pawnbroker and her sister, perhaps for money, perhaps to prove a theory about being above the law. He comes to police attention ... See full summary »
Upon Prince Myshkin's return to St. Petersburg from an asylum in Switzerland, he becomes beguiled by the lovely young Aglaya, daughter of a wealthy father. But his deepest emotion is for ... See full summary »
The thrilling drama based on the world's greatest masterpiece by Fyodor Dostoevsky. Half-sane Prince Myshkin returns from Swiss psycho-clinic to face the glamorous world of St Petersburg. ... See full summary »
The 1968 film shows Fedor Karamazov as a stingy old man, who's three sons are after his money. The Karamazov brothers, Dmitri, a gambler, Ivan, a thinker, and Aleksei, a monk, are living through their different problems. Ivan is trying to save the world by making a story of "The Great Inquisitor". Dmitri, who lost money in gambling, is begging his father to help him. But the father gives a lot of money to his mistress Grushenka.Written by
This was Ivan Pyryev's last film. He died suddenly before it was completed so lead actors Mikhail Ulyanov (Dimitri) and Kirill Lavrov (Ivan) took over the task and completed the remaining scenes. See more »
Some good performances, particularly Mark Prudkin as Fyodor Pavlovich, but the film's overbearing theatricality works against the drama of Dostoevsky's novel. The staginess is also not supported by the production design so the storm and stress performances feel ill matched to their realistic backgrounds. There's not much of a cinematic style to the film either and what there is is rather unimaginative. There's very little humor in the film for an adaptation of a novel that can be deeply and unsettlingly funny. And then there's the strange, wrong headed casting of Andrey Myagkov as Alyosha, arguably the central point of view of the novel. Myagkov's Alosha is a doltish void, somewhat of a holy fool, a characterization that might be found in other Dostoevsky novels but not in this one. All in all, a disappointment, not as embarrassing as the Yul Brenner adaptation but just as vulgar in its own way.
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