Police detective sergeant Jeff Andrews is working on a case involving a gang of shoplifters, and he allows himself to falsely arrested as a petty thief, in order to make contact with the ... See full summary »
Three sailors on leave (Joe, Al and Davy) head for Paris with one thing on their minds. Joe pursues chanteuse Colette D'Avril who proves to be more than she appears; Davy is pursued by sexy... See full summary »
Nick Bonelli, quarterback for Mid-State, proves himself an All American in the championship, but his parents die in an auto accident coming to the game. Nick decides to transfer to Sheridan... See full summary »
During the Korean War, Italian nurse Virna Lisi falls in love with two American fliers, Tony Curtis and George C. Scott. Lisi marries Curtis after he convinces her that Scott has been ... See full summary »
Boston, Mass. 1962: Thirteen innocent women were brutally slaughtered by a faceless monster. Now, through the eyes of the killer himself, we are taken on a sadistic journey from the jail ... See full summary »
Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.Written by
John Vogel <firstname.lastname@example.org>
Shortly before filming was set to begin, the real Albert DeSalvo escaped from the mental institution where he was imprisoned. He was later captured after being on the run for thirty-three hours. See more »
A shot of Tony Curtis, in a doorway, includes a 1966 Oldsmobile Toronado in the background, at a time (in the story) which is supposedly 1963-64 (shortly after JFK's funeral). See more »
Here it is, the film that proved Tony Curtis' worth as an actor; not just the pretty boy of a dozen identikit pictures of the 1950s - but here convincing as the cold blooded killer of various women; 'The Boston Strangler' now looks dated, particularly in its split-screen editing and gloomy editing, and in some of its references to 'queers', but is still a fine example within its genre.
Bleak and uncompromising in its verbal and visual details of the murders, this film is held together by the excellent work by Curtis - he really is chilling as the psychopath preying on women. The ending is especially affecting, making superb use of silence as a cinematic trick and leaving the viewer curiously numb. Not a film to leave you anything but depressed, but a must-see at least once.
5 of 7 people found this review helpful.
Was this review helpful to you?
| Report this