Young innocent aristocrat Benjamin comes to live with his Countess aunt. Her lover teaches him the techniques of seduction and sends him to test them, first on the maids, then on the upper class Anne and finally on the countess herself.
France, 1750s; Benjamin has spent his entire childhood and early adolescence in the sole company of his tutor Camille. Now that he is 17, he must go to live with his aunt Countess of Valandry and her lover, a Don Juan, Count Philippe de Saint-Germain, two wealthy aristocrats, at the château de Valandry. When he arrives at his aunt's estate, he is as pure as a boy of his age can be and his relatives' libertine lifestyle comes as a surprise to him. Fortunately for him, there is an abundance of attractive young women who are more than willing to help him make the transition from boyhood to manhood. After all, it is the duty of those who know to teach those who know not. It amuses Benjamin that Comte de Saint-Germain should throw over his mistress and go chasing after a younger woman, Anne, an orphan. Amid the wild revelry of a party, Anne offers herself to Benjamin to complete his initiation in the ways of love - before she takes the count as her husband.
Sympony No. 88, Finale. Allegro con spirito
Music by Joseph Haydn (as Haydn) See more »
Hilarious, but not because of the movie
The script is of very low quality. The acting is provincial. The costumes are of a lower quality than for a television drama. Fact checking is non existent. It might as well been set on the fictional world of Dune. But I don't feel like any of the famous French script writers has the skill and quality of somebody like Frank Herbert. So this last comparison is quite unfair when the best of the best in the French movie industry means a shallow love story weeded by biographical bits from the life of the writer. The dialogue is weak and stereotype.
Than what makes this piece of junk hilarious? The nerve of French intellectuals of laughing at Star Wars or XMen which still have more artistic value.
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