The year is 40,000. After peaceful floating in zero-gravity, astronaut Barbarella lands on the frozen planet Lythion and sets out to find renowned scientist Durand Durand in the City of Night, Sogo, where a new sin is invented every hour. There, she encounters such objects as the Excessive Machine, a genuine sex organ on which an expert artist of the keyboard, in this case, Durand Durand himself, can drive a victim to death by pleasure, a lesbian queen who can make her fantasies take form in her Chamber of Dreams, and a group of ladies smoking a giant hookah which dispenses Essence of Man through a poor victim struggling in its glass globe. You can not help but be impressed by the special effects crew and the various ways that were found to tear off what minimal clothes our heroine seemed to possess.Written by
Mathmos is the name of a company specializing in the design and manufacture of lava lamps. Apparently a sea of lava, inspired the UK company that made lava lamps to change their name from Crestworth to Mathmos. See more »
During the opening credits, Barbarella flies around in her spaceship . In a close-up, as she removes her gloves, her reflection appears in the Plexiglas she was lying on to give the illusion of floating. See more »
Stand by for a message from Dianthus, President of Earth and Rotating Premier of the Sun System.
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In the opening credits, the letters in the words move around in an attempt to obscure Barbarella's nudity. See more »
In 1968, all the legislative rules about not showing female nudity were applied by the Australian Film Censorship Board, when BARBARELLA was classified (SOA) SUITABLE ONLY FOR ADULTS. - - - The Australia Film Censorship Board ordered the elimination of "all shots of female nudity" i.e. Australia Film Censorship Board insisted that the brief female nudity is never seen by Australians. - - - In 1968 BARBARELLA quickly became a cult movie film outside Australia, because under the pretext of Jane Fonda completely removing her spacesuit, Jane Fonda does a revealing zero-gravity striptease during the 4:49 minutes of opening credits, whilst the title theme song is performed by The Glitterhouse. Bright white animated titles are used, where the letters forming the words, move around in an attempt to obscure Barbarella's nudity, plus there is visual blurring to hide Jane Fonda's incomplete nakedness. - - - Projected in glorious SPLICE-ARAMA, BARBARELLA when shown in Australian cinemas on its first theatrical release, at the request of the Australian Film Censorship Board the movie had all nudity eliminated. Because of large number of censorship cuts in the opening credits to remove all the female nudity, the title theme song also had some lyrics cut. These are the six sequences of cuts during the opening credits sequence:- Before the title sequence says "David Hemmings" cut 3:46 to 3:47 left breast and nipple, then cut 3:41 to 3:56 right breast and nipple, then cut 4:08 to 4:14 left and right breast and nipples. Before the title sequence says "Dino De Laurentis" cut 4:15 to 4:17 left breast and nipple, then cut 4:30 to 4:43 right breast nipple then left breast nipple. Before the title sequence says "Roger Vadim" cut 4:45 to 4:50 left breast and nipple then right breast and nipple. - - - Inside her spaceship, cut 8:32 to 8:34 brief rear view of Jane Fonda - - - In the labyrinth sequences, the topless women, cut 32:42 to 32:45 then cut 33:38 to 33:50 then cut 39:29 to 39:40 - - - All the topless women plus the woman suspended from the ceiling, in the city of Sogo sequences, cut 71:21 to 71:41 then cut 72:52 to 73:01 - - - See more »
I'm not sure if I liked this film or hated it!! It reminds me of "Danger:Diabolik", that flash trash movie also with John Phillip Law. It is bright and loud and trashy with a little soft porn thrown in for good measure. It does tend to hold your interest throughout, maybe because you can't wait to see what outrageous scene will assault your senses next. And oh, all that phallic symbolism! Roger Vadim certainly exploited Jane Fonda in this one and she would probably like to forget the whole thing....but you've got to admit she doesn't look too bad in that plastic see-through bustier. John Phillip Law, who is a handsome devil(oops, angel), plays the part of the blind angel, Pygar, without emotion or feeling....but he played every character he ever portrayed exactly the same way. He wasn't much of an actor but it works here. This film screams the 60's, so turn on, tune out, plug in your lava lamp and take a look at it. You'll love it or hate it but you are guaranteed to have fun with it. It's the epitome of pop art!
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