Stolen Kisses (1968)

After being discharged from the army, Antoine Doinel centers a screwball comedy where he applies for different jobs and tries to make sense of his relationships with women.

Director:

François Truffaut

Writers:

François Truffaut (scenario and dialogue), Claude de Givray (scenario and dialogue)

Stars:

Jean-Pierre Léaud, Claude Jade, Delphine Seyrig

Nominated for 1 Oscar. Another 5 wins & 4 nominations.

Cast

Cast overview, first billed only:
Jean-Pierre Léaud	...	Antoine Doinel
Delphine Seyrig	...	Fabienne Tabard
Claude Jade	...	Christine Darbon
Michael Lonsdale	...	Georges Tabard (as Michel Lonsdale)
Harry-Max	...	Monsieur Henri
André Falcon	...	Monsieur Blady
Daniel Ceccaldi	...	Lucien Darbon
Claire Duhamel	...	Madame Darbon
Catherine Lutz	...	Catherine
Martine Ferrière	...	La chef-vendeuse du magasin de chaussures
Jacques Rispal	...	Monsieur Colin
Serge Rousseau	...	Le type qui suit Christine
Paul Pavel	...	Julien
François Darbon	...	L'adjudant-chef Picard
Albert Simono	...	Albani, le client de l'agence (as Simono)

Storyline

Antoine Doinel joined the army but has just been discharged. The film tells his reunion with Christine Darbon, the girl he was in love with before the beginning of the film, and his adventures in his jobs : first as a night watchman, then as a private investigator, especially during one investigation within Mr Tabard's shoes-shop... Mme Tabard is so fascinating...

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Plot Keywords:

private detective | telephone booth | fired from the job | young man | hotel room | 

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Taglines:

Antoine knows what he wants to do...his problem is doing it

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Genres:

Comedy | Drama | Romance

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Certificate:

R

Details

Country:

France

Language:

French English

Release Date:

February 1969 (USA)

Also Known As:

Stolen Kisses

Filming Locations:

15 Rue de Steinkerque, Paris 18, Paris, France

Box Office

Budget:

$350,000 (estimated)

Company Credits

Production Co:

Les Films du Carrosse,Les Productions Artistes Associés

Technical Specs

Runtime:

90 min

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Goofs

When Antoine kisses Christine in the basement, he pushes her back against the wall. The walls are dirty and leave black stains across the back of her sweater. When they leave and she reaches the top of the stairs the stains are gone.

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Quotes

Georges Tabard: Do you speak English, Antoine?
Antoine Doinel: I'm learning from records, but it's not easy.
Georges Tabard: Records are a joke. There's only one way to learn: in bed with an English girl. It's time you learned. I learned with an Australian girl while her husband was at work painting houses.
Fabienne Tabard: Like Hitler.
Georges Tabard: Don't ever say Hitler was a housepainter. That's slander. Hitler painted landscapes.

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Connections

References The 400 Blows (1959)

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Soundtracks

Que Reste-t-il de nos Amours ?
Music by Charles Trenet
Lyrics by Charles Trenet
Performed by Charles Trenet

User Reviews

Antoine Doinel comic moments

It amazes me that everybody watch "The 400 Blows", love the film but doesn't have interest in following all the other adventures of Antoine Doinel or people seem to lose track of just five films but prefer to watch all James Bond films. What amazes me even more is that the other films of Antoine appeals more to me than the original one, although I love and rank them on the same level.

In the most comical film of Doinel series "Stolen Kisses", Jean-Pierre Léaud playing his unforgettable character, is discharged from the army and needs to find a new job. He starts as night watchman, something ridiculous happens and then he's out of work. Later, he works as a private investigator, having an unique talent for the job and getting himself involved with some bizarre investigations; and one of them takes him to his new fake job as a stock boy in Mr. Tabard's shoes-shop when this guy wants to know why nobody likes him and Doinel must find the reason. While there, he falls in love with Tabard's wife who also seems obsessed with him; Doinel has other things to investigate and other female interests, and of course he meets Colette and Christine again, women presented in Doinel's other films.

Here's what Truffaut makes: he takes this hard-working character, puts him in strange, humored yet very realistic situations of the day-by-day, brings back some connections of the previous films too and the result is a nice, funny, beautiful film that gives a positive light to Antoine Doinel, a man only trying to survive in the best way he can. It's very surprising how he can manage to do so many things in different lines of work specially if you consider that in "The 400 Blows" he hated school, he hadn't patience to sit and learn, the same thing happen in the beginning of this film, the reason why he was discharged of Army, yet he can do lots of things, a multi task man for all seasons. Truffaut succeeds in doing what Woody Allen sometimes tries so hard to do and that is make something really funny with a sense of realism and absurd going altogether, hand in hand. It's a perfect romantic comedy too, since Doinel is seen chasing women and all (the funniest date he has is with a woman so tall that makes him feel like a midget next to her, this moment can be seen also in "Love on the Run").

Léaud is always brilliant playing the director's alter ego, he's very funny, charming, very good looking. The story is all good with great and hilarious dialogs and insights, unforgettable sequences and plenty of humor. And who could possibly predict that Doinel's life would be THAT good? Certainly not me, not him or anyone else. Here's a surprising and lovely film, and one of the most funniest I've ever seen. 10/10