Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of ... See full summary »
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Antoine Doinel joined the army but has just been discharged. The film tells his reunion with Christine Darbon, the girl he was in love with before the beginning of the film, and his adventures in his jobs : first as a night watchman, then as a private investigator, especially during one investigation within Mr Tabard's shoes-shop... Mme Tabard is so fascinating...Written by
This film is part of the Criterion Collection, spine #186. See more »
When Antoine kisses Christine in the basement, he pushes her back against the wall. The walls are dirty and leave black stains across the back of her sweater. When they leave and she reaches the top of the stairs the stains are gone. See more »
Do you speak English, Antoine?
I'm learning from records, but it's not easy.
Records are a joke. There's only one way to learn: in bed with an English girl. It's time you learned. I learned with an Australian girl while her husband was at work painting houses.
Don't ever say Hitler was a housepainter. That's slander. Hitler painted landscapes.
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It is incredible how well this film has held up over the years, and how it continues to fill you with all the spirit of hope and exultation that was part of l'epoque. This is not an overtly political film, though there are passing references to and images of the contemporary demonstrations which would shake France to its core in May of '68. Nonetheless, it captures spectacularly well the revolutionary feel of the times and makes perfectly understandable why Truffaut and Godard would call for the cancellation of the Cannes Festival of 1968. Nothing could go on has it had in the past after May '68, and "Stolen Kisses" itself was a statement of that refusal. The film is perhaps the best political film of the upheaval of that period for at least two reasons: 1) the attitude towards work: Antoine Doinel passes from job to job without a second thought, not worrying himself about a "career," and with a playful attitude that seemed inspired by Guy Debord's slogan of "ne travaillez jamais" ("never work"); 2) the attitude towards life in general: the film reflects that sensibility of the '68 movement that "everything is possible", that life can be lived as one adventure after another (as opposed to the dreary workaday life proffered by the bourgeoisie), that the craziest things can happen to you and that you should be open to taking them into your life (e.g., Christine falling in love with Antoine and vice versa). The lightness of the film is its greatest quality, for it suggests that all those "heavy" structures, physical, psychological, political and societal, can be overcome ("sous les pavés, la plage"/"beneath the pavement lies the beach") and life can be recovered.
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