Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
This short film is the first segment of five in the multinational feature Love at Twenty (1962), all five segments on the theme of first adult love. After indulging in much delinquency in ... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of ... See full summary »
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
In the town of Thiers, summer of 1976, teachers and parents give their children skills, love, and attention. A teacher has his first child, a single mother hopes to meet Mr. Right, another ... See full summary »
Antoine Doinel joined the army but has just been discharged. The film tells his reunion with Christine Darbon, the girl he was in love with before the beginning of the film, and his adventures in his jobs : first as a night watchman, then as a private investigator, especially during one investigation within Mr Tabard's shoes-shop... Mme Tabard is so fascinating...Written by
When Antoine kisses Christine in the basement, he pushes her back against the wall. The walls are dirty and leave black stains across the back of her sweater. When they leave and she reaches the top of the stairs the stains are gone. See more »
Do you speak English, Antoine?
I'm learning from records, but it's not easy.
Records are a joke. There's only one way to learn: in bed with an English girl. It's time you learned. I learned with an Australian girl while her husband was at work painting houses.
Don't ever say Hitler was a housepainter. That's slander. Hitler painted landscapes.
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Delightful, charming film-making of the highest order.
Stolen Kisses is a film unlike any other, perhaps because it combines so many elements into such a breezy film experience. Though Francois Truffaut broke into the film industry with his debut The 400 Blows depicting the young, misplaced Antoine Doinel as a youth attempting to find his way amidst the chaos of Paris, Stolen Kisses might be a more mature and understanding film to its protagonist. Like Antoine, Truffaut has grown up.
This adventure follows Antoine's departure from the army and his attempt to find steady work in Paris, that gorgeous and timeless city with the ethereal Sacre Coeur looming in the background. He goes through a number of professions, all of which are completely captivating in their interest to us the audience and Antoine himself. Tying all this together is his constant affection for the girl he left for the army, Christine, who very well may hold the key to his heart.
What is so endlessly fascinating about this film is the stark simplicity Truffaut films it in. Like his previous work, this film has remarkable fluid camera movements as he gives us a breathtaking view of the eternal city and the journey Antoine is on in hopes of discovering his place. We are dropped into various situations such as a small hotel, a private detective agency and a TV repair truck, all of which are Antoine's attempts to find stability in a most unstable of times: Paris, 1968.
What must be said about this remarkable film is that it is at its core a most personal story. Clearly, Antoine represented Truffaut in The 400 Blows and he does here. From adolescence to teen angst to young adulthood, Truffaut has shown us in three examples an everyman many of us can relate to. He is self-conscious, anxious, awkward around women yet tries to do the best he can. In Truffaut's eyes, and ours, this is the source of his innocence and charm.
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