"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be.Written by
Although it's commonly believed that the famous "jump cut" is from the bone being tossed in the air to a ship floating in space, it is in fact not a spaceship, it's a nuclear device circling the earth. So the bone being used as the "first" murder weapon is thrown to the "ultimate" weapon. Originally the "star child" was to detonate this device and all the other devices that were circling the earth. Stanley Kubrick decided against the ending as it was too similar to the end of his previous film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), where nuclear bombs are exploded. See more »
At time 0:24:55, the Orion III Pan Am shuttle is on final approach to the Space Station V, and both are rotating synchronously. You properly see the station dock appear to not be rotating through the shuttle's cockpit windows, while the star field behind the station rotates as it should. However, the shadows cast on the station do not move as the station rotates, which they would due to the sun's constantly changing angle. See more »
I've just picked up a fault in the AE35 unit. It's going to go 100% failure in 72 hours.
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The original theatrical release had Ligeti's Atmospheres to a black screen for roughly 8 to 10 minutes before the movie began, and Strauss' The Blue Danube well after the end credits to a black screen. See more »
The original theatrical release had György Ligeti's "Atmospheres" set to a black screen for roughly 8 to 10 minutes before the movie began, and Johann Strauss's "The Blue Danube" long after the end credits set to a black screen. This overture and exit music survived the premiere edits mentioned above. For a long while, revivals and all television and cable broadcasts would cut both, starting directly at the beginning of the credits and ending immediately after the end credits, but current revivals in such places as the Film Forum in New York City and cable channels such as the Sundance Channel, Bravo, the Independent Channel, and PBS have been restoring the pre- and post-movie music. See more »
2001: A Space Odyssey is my favourite film of all time for simply one reason: the ending. Kubrick's ambiguous finish to this suspenseful trip will leave you debating and theorising its purpose for a long time.
Further positive aspects include its eerie score and music throughout (notably at the beginning), the visually pleasing aesthetic, and contrastingly the use of silence to truly prove that "no one can hear you scream in space."
I strongly recommend watching this film in a dark room with no distractions in order to achieve the full cinematic experience, and hopefully it will not disappoint.
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