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2001: A Space Odyssey (1968)

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A space-opera spanning the dawn of man to humanity reaching the stars, 2001: A Space Odyssey tells the story of the Black Monolith, humanity's evolution and the rise of A.I.'s ultimate supercomputer HAL 9000.

Director:

Stanley Kubrick

Writers:

Stanley Kubrick (screenplay), Arthur C. Clarke (screenplay)
Popularity
330 ( 1)

Director's Trademarks: A Guide to Stanley Kubrick's Films

2001: A Space Odyssey and Eyes Wide Shut are just the beginning of Stanley Kubrick's legacy. Are you up to speed on the film icon's style?

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Top Rated Movies #88 | Won 1 Oscar. Another 14 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller Frank Miller ... Mission Controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar Shuttle Captain (as Edward Bishop)
Glenn Beck ... Astronaut
Alan Gifford ... Poole's Father
Ann Gillis ... Poole's Mother
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Storyline

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by Larry Cousins

Plot Summary | Plot Synopsis

Taglines:

An epic drama of adventure and exploration See more »

Genres:

Adventure | Sci-Fi

Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK | USA

Language:

English | Russian

Release Date:

12 May 1968 (UK) See more »

Also Known As:

How the Solar System Was Won See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

£69,567 (United Kingdom), 30 November 2014, Limited Release

Opening Weekend USA:

$202,759, 20 May 2018, Limited Release

Gross USA:

$56,954,992

Cumulative Worldwide Gross:

$190,700,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (theatrical release) | (initial release)

Sound Mix:

4-Track Stereo (35 mm magnetic prints)| 70 mm 6-Track (70 mm prints)

Color:

Color (Technicolor)| Color (Metrocolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

Stanley Kubrick worked for several months with effects technicians to come up with a convincing effect for the floating pen in the shuttle sequence. After trying many different techniques, without success, Kubrick decided to simply use a pen that was adhered (using newly invented double-sided tape) to a sheet of glass and suspended in front of the camera. In fact, the shuttle attendant can be seen to "pull" the pen off the glass when she takes hold of it. See more »

Goofs

The bone Moon-Watcher uses to beat the enemy ape is a femur (upper leg bone), as indicated by the sideways projecting "arm" with a ball at the end. However, the bone shown rotating in the air is a tibia (main bone of the lower leg), as indicated by its blunt ends. See more »

Quotes

[first lines]
Aries-1B stewardess: Here you are, sir, main level please.
See more »

Crazy Credits

"Thus Spake Zarathustra" is the only musical piece in the film whose conductor and orchestra are not mentioned in the closing credits. For all other pieces, the orchestra which plays it, and the conductor who leads it, are given screen credit. See more »

Alternate Versions

The original theatrical release had 's "Atmospheres" set to a black screen for roughly 8 to 10 minutes before the movie began, and 's "The Blue Danube" long after the end credits set to a black screen. This overture and exit music survived the premiere edits mentioned above. For a long while, revivals and all television and cable broadcasts would cut both, starting directly at the beginning of the credits and ending immediately after the end credits, but current revivals in such places as the Film Forum in New York City and cable channels such as the Sundance Channel, Bravo, the Independent Channel, and PBS have been restoring the pre- and post-movie music. See more »

Connections

Referenced in Isaac Asimov's The Ultimate Robot (1994) See more »

Soundtracks

Lux Aeterna
(1966)
Music by György Ligeti
Performed by Stuttgart Schola Cantorum (as the Stuttgart Schola Cantorum)
Conductor Clytus Gottwald
See more »

Frequently Asked Questions

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User Reviews

 
Cosmic Art
6 February 2005 | by LechuguillaSee all my reviews

Mankind's Self awakening is the theme of "2001: A Space Odyssey", a process that unfolds along a space-time continuum. We "see" our primordial past, and we "infer" a cosmic future. The powers of intuition thus become the doors of perception, in our ongoing collective journey.

From this transcendental perspective, a conventional, egocentric plot seems superfluous. Our frenzied conflicts and self-important dialogue are consumed in evolutionary change, and are irrelevant in a cosmos that is vast beyond comprehension. It's a tough lesson for a vain and aggressive species. Not surprising then that some of us huff and puff about the film's slowness and minimal story. For perceptive viewers, the remuneration is an inspirational sense of wonder and awe.

In this film, which is mostly visual, geometric symbols guide our intuition. Circles and arcs represent nature. Right angles represent conscious intelligence. Some people think the sleek, black monolith is a Von Neumann probe. Maybe. Without doubt, the monolith is a visual metaphor for an extraterrestrial intelligence whose physical form is never shown. Mystery is more profound than explanation.

"2001 ... " is unique among films in content and scope. The cinematography is out-of-this-world, the special and visual effects are breathtaking, and the classical music is sublime. I rarely use the word "masterpiece" to describe a movie. But Stanley Kubrick's "2001: A Space Odyssey" is art in the highest sense, like Leonardo da Vinci's "Mona Lisa", or Vincent Van Gogh's "The Starry Night".


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