A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be.Written by
Most of the effects shots were made during ten- to 12-hour workdays, with some takes lasting hours. Although the crew was large, the only sound audible in the studio during each take was the sound of the Panavision camera's motors and the sound of the motors moving the ships. One technician compared it to driving a tank. See more »
When Dr. Floyd is giving his speech during the debriefing, his hands are alternately (not) resting on the podium. See more »
[Regarding the supposed failure of the parabolic antenna on the ship, which HAL himself falsified]
It can only be attributable to human error.
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The original theatrical release had Ligeti's Atmospheres to a black screen for roughly 8 to 10 minutes before the movie began, and Strauss' The Blue Danube well after the end credits to a black screen. See more »
The original theatrical release had György Ligeti's "Atmospheres" set to a black screen for roughly 8 to 10 minutes before the movie began, and Johann Strauss's "The Blue Danube" long after the end credits set to a black screen. This overture and exit music survived the premiere edits mentioned above. For a long while, revivals and all television and cable broadcasts would cut both, starting directly at the beginning of the credits and ending immediately after the end credits, but current revivals in such places as the Film Forum in New York City and cable channels such as the Sundance Channel, Bravo, the Independent Channel, and PBS have been restoring the pre- and post-movie music. See more »
I spent many a sleepless night after watching 2001. Not only because of the psychological horror (of which 2001 is a masterpiece) but also because of the way it brought me (a restless soul) some clarity to the way I observe the universe. It changed my way of thinking in a very profound way. And after reading the novel (by Arthur C. Clarke) I found myself once again inspired (a writer as I am) by the level of imagination.
The Space Odyssey is not something one can just "go and see". One has to be ready for it, or it cannot be understood. In fact I don't think it can be understood at all, at least not all of it at once. It is a philosophical journey to the infinite and beyond, a masterpiece of it's genre and still after 32 years technically quite impressive all the way to the powerful musical soundtrack featuring 'Also spracht Zarathustra' by Richard Strauss and 'Blue Danube' by Johann Strauss.
Take all the time you want, but eventually you are going to have to see this film. If it can bring some order and understanding to the universe of a struggling artist like me, it can certainly do it for you as well.
Or maybe I'm just plain crazy...
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