A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
After a daring mission to rescue Han Solo from Jabba the Hutt, the Rebels dispatch to Endor to destroy the second Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be.Written by
The four acts of the film, in sequential order, are named thus: 'The Dawn of Man', 'TMA-1', 'Jupiter Mission' and 'Jupiter and Beyond the Infinite'. 'TMA-1' happens to be the only act without its title superimposed in the film. See more »
On one of the computer monitors in Bowman's pod (visible in
the widescreen version only), scratches and a rather obvious film-edit splice can be seen, giving away the fact that the computer graphics are rear-projected film clips. The same scratched-up section of animation is seen in two or three subsequent shots of the pod's control panel. See more »
Dr. Frank Poole:
[He and Dave and Frank are inside the pod while HAL looks on. The sound to HAL has been cut]
Well, whaddya think?
I'm not sure, what do you think?
Dr. Frank Poole:
I've got a bad feeling about him.
Dr. Frank Poole:
Yeah, definitely. Don't you?
I don't know; I think so. You know of course though he's right about the 9000 series having a perfect operational record. They do.
Dr. Frank Poole:
Unfortunately that sounds a little like famous last words.
Yeah? Still it was his idea to carry out the faiure mode analysis experiment. Should ...
[...] See more »
In the 2001 UK cinema re-release, the music carries on for 10-15 minutes after the end of the credits. See more »
Some versions have title cards on-screen during the Overture and Entr'acte sections, while other versions omit these titles and simply play the music over a black screen. See more »
Bluntly, 2001 is one of the best science-fiction films made to date, if not the very best. Stanley Kubrick was a genius of a film maker and this is one of his very best works. And although it is misunderstood by many, and respectively underrated, it is considered one of the best films of all time and I'll have to agree. Back in 1968, no one had done anything like this before, and no one has since. It was a marvel of a special effects breakthrough back then, and seeing how the effects hold up today, it is no wonder as to why. The film still looks marvelous after almost forty years! Take note CGI people. Through the use of large miniatures and realistic lighting, Kubrick created some of the best special effects ever put on celluloid. This aspect alone almost single-handedly created the chilling void of the space atmosphere which is also attributed to the music and realistic sound effects. I can't think of another film where you can't here anything in space, like it is in reality. Not only is the absence of sound effects in space realistic, it is used cleverly as a tool to establish mood, and it works flawlessly.
Aside from the magnificent display of ingenious special effects, there are other factors that play a part in establishing the feel of the film. The music played, all classical, compliment what the eyes are seeing and make you feel the significance of man's journey through his evolution from ape to space traveler.
The story, while seemingly simple, is profound. Sequentially, several mysterious black monoliths are discovered and basically trigger certain events integral to the film. What are they? Where did they come from? What do they do? These are all questions one asks oneself while watching the story develop and is asked to find his own way. While most come away with a general idea of what took place in the story, each individual will have to decide what it means to them. Any way one decides to answer these question results in profound solutions. It's not left entirely up to interpretation, but in some aspects it is. Experience it for more clarification. The end result is quite chilling, no matter your personal solution.
While it is a long film, and sometimes slows down, it has to be in order to accurately portray the journey of man. It's not a subject that would have faired well in a shorter film, faster paced feature. Those with short attention spans need not apply.
Last but not least, is the epitome of a remorseless antagonist, HAL 9000, the computer. Never has a machine held such a chilling screen presence. Which reminds me, for a film with such profound ambition and execution, there is surprisingly little dialogue. Another sign of Kubrick's genius.
All in all, one of the best films made to date and one of the very best science fiction films made. A personal favorite. Everyone must see this film at least once.
Very highly recommended.
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