A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be.Written by
The band M83's song "Lower Your Eyelids to Die With the Sun" was written to be synced with the "Stargate" sequence. See more »
The people and props in the Clavius meeting hall, and the moon bus to TMA-1, move around and rest in gravity that shows they are on Earth. Moon gravity is 1/6 of Earth's gravity. See more »
Now I'm sure you're all aware of the extremely grave potential for cultural shock and social disorientation contained in this present situation, if the facts were prematurely and suddenly made public without adequate preparation and conditioning.
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"Thus Spake Zarathustra" is the only musical piece in the film whose conductor and orchestra are not mentioned in the closing credits. For all other pieces, the orchestra which plays it, and the conductor who leads it, are given screen credit. See more »
Some versions have title cards on-screen during the Overture and Entr'acte sections, while other versions omit these titles and simply play the music over a black screen. See more »
There are two schools of thought about 2001: A SPACE ODYSSEY. One, is that it is the greatest science-fiction epic ever made. This is supported by those who claim to understand the complexities involved and leading up the Star Child ending. The others, like myself, find it as absorbing as watching paint dry on woodwork.
The musical background is glorious, the colors are dazzling, and there's an interesting use of HAL as a villainous computer. Beyond that, there is nothing the least bit interesting about the human characters (trite dialogue and no personality or warmth to any of the individuals), the pace is unbelievably slow (so the intellectually gifted can philosophize on the mysteries of space), and the payoff at the end leaves you either breathless with enlightenment or convinced that you have watched three hours of nothingness.
I had the same letdown feeling when I watched THE CLOCKWORK ORANGE, so your like or dislike of this movie is purely dependent on personal taste. Intellectuals will take the position that you are a mentally challenged clod if you dare disagree with their elevated opinion of the movie--so be aware that this is not conventional story-telling in any sense whatsoever and only for those who admire Stanley Kubrick's way with unlikely cinematic material.
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