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2001: A Space Odyssey (1968)

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A space-opera spanning the dawn of man to humanity reaching the stars, 2001: A Space Odyssey tells the story of the Black Monolith, humanity's evolution and the rise of A.I.'s ultimate supercomputer HAL 9000.

Director:

Stanley Kubrick

Writers:

Stanley Kubrick (screenplay), Arthur C. Clarke (screenplay)
Popularity
521 ( 1)

Director's Trademarks: A Guide to Stanley Kubrick's Films

2001: A Space Odyssey and Eyes Wide Shut are just the beginning of Stanley Kubrick's legacy. Are you up to speed on the film icon's style?

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Top Rated Movies #90 | Won 1 Oscar. Another 14 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Keir Dullea ... Dr. Dave Bowman
Gary Lockwood ... Dr. Frank Poole
William Sylvester ... Dr. Heywood R. Floyd
Daniel Richter ... Moon-Watcher
Leonard Rossiter ... Dr. Andrei Smyslov
Margaret Tyzack ... Elena
Robert Beatty ... Dr. Ralph Halvorsen
Sean Sullivan ... Dr. Bill Michaels
Douglas Rain ... HAL 9000 (voice)
Frank Miller Frank Miller ... Mission Controller (voice)
Bill Weston ... Astronaut
Ed Bishop ... Aries-1B Lunar Shuttle Captain (as Edward Bishop)
Glenn Beck ... Astronaut
Alan Gifford ... Poole's Father
Ann Gillis ... Poole's Mother
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Storyline

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by Larry Cousins

Plot Summary | Plot Synopsis

Taglines:

50 Years Ago One Movie Changed All Movies Forever [2018 Re-release] See more »

Genres:

Adventure | Sci-Fi

Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK | USA

Language:

English | Russian

Release Date:

12 May 1968 (UK) See more »

Also Known As:

How the Solar System Was Won See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

£69,567 (United Kingdom), 30 November 2014, Limited Release

Opening Weekend USA:

$202,759, 20 May 2018, Limited Release

Gross USA:

$56,954,992

Cumulative Worldwide Gross:

$190,700,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (theatrical release) | (initial release)

Sound Mix:

4-Track Stereo (35 mm magnetic prints)| 70 mm 6-Track (70 mm prints)

Color:

Color (Technicolor)| Color (Metrocolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

In the French version, Dr. Heywood Floyd's middle name is Richard. See more »

Goofs

When the hatch is blown with the "explosive bolts", it appears to vanish when it should have been in between Dave and the Discovery, blocking his entrance, However, the door isn't actually detached in this sequence but is, rather, forcibly opened with the door sliding into the side of pod as it normally would, just much quicker due to the explosive bolts being fired. See more »

Quotes

[first lines]
Aries-1B stewardess: Here you are, sir, main level please.
See more »

Crazy Credits

In the 2001 UK cinema re-release, the music carries on for 10-15 minutes after the end of the credits. See more »

Connections

Referenced in Cinemassacre's Monster Madness: Monster Zero (2008) See more »

Soundtracks

Requiem
(1963)
("Requiem for Soprano, Mezzo-Soprano, Two Mixed Choirs, and Orchestra")
Music by György Ligeti
Performed by Bavarian Radio Orchestra (as the Bavarian Radio Orchestra)
Conductor Francis Travis
See more »

Frequently Asked Questions

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User Reviews

 
My god, it's full of stars
20 April 2003 | by drn5See all my reviews

For all those bewildered by the length and pace of this film ("like, why does he show spaceships docking for, like, 15 minutes?"), here's a word you might want to think about:

Beauty.

Beauty is an under-rated concept. Sure, you'll often see nice photography and so on in films. But when did you last see a film that contains beauty purely for the sake of it? There is a weird belief among cinemagoers that anything which is not plot or character related must be removed. This is depressing hogwash. There is nothing wrong with creating a beautiful sequence that has nothing to do with the film's plot. A director can show 15 minutes of spaceships for no reason than that they are beautiful, and it is neither illegal nor evil to do so.

'2001' requires you to watch in a different way than you normally watch films. It requires you to relax. It requires you to experience strange and beautiful images without feeling guilty that there is no complex plot or detailed characterization. Don't get me wrong, plots and characters are good, but they're not the be-all and end-all of everything. There are different KINDS of film, and to enjoy '2001' you must tune your brain to a different wavelength and succumb to the pleasure of beauty, PURE beauty, unfettered by the banal conventions of everyday films.

"All art is quite useless" - Oscar Wilde.


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