A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be.Written by
Poole (Gary Lockwood) was filmed wearing a helmet on the bridge of Discovery because Stanley Kubrick initially had doubts over the scientific possibility of a person's survival for even an instant in a vacuum; however, data published at the time indicated that such survival was indeed possible, which allowed the Emergency Air Lock re-entry sequence to be filmed and for scenes to be shot of the astronauts without their helmets. See more »
When the lunar shuttle is landing on the moon, the Earth is seen in the background four times. The first time the Earth is lit from the right. The second time, when you see the men in suits on the lunar surface looking up as the shuttle comes in to land, the Earth is lit from the left. The next two times the Earth is seen, it is back to being lit from the right. Since the moon revolves around the Earth once every 28 days, the phase of the Earth should not change this quickly. See more »
In the 2001 UK cinema re-release, the music carries on for 10-15 minutes after the end of the credits. See more »
The film originally premiered at 160 minutes. After the premiere, director Stanley Kubrick removed about 19 minutes' worth of scenes and made a few changes:
Some shots from the "Dawn of Man" sequence were removed and a new scene was inserted where an ape pauses with the bone it is about to use as a tool. The new scene was a low-angle shot of the monolith, done in order to portray and clarify the connection between the man-ape using the tool and the monolith.
Some shots of Frank Poole jogging in the centrifuge were removed.
An entire sequence of several shots in which Dave Bowman searches for the replacement antenna part in storage was removed.
A scene where HAL severs radio communication between the "Discovery" and Poole's pod before killing him was removed. This scene explains a line that stayed in the film in which Bowman addresses HAL on the subject.
Some shots of Poole's space walk before he is killed were removed.
film is a poetical contemplation of most exciting eternal questions
This movie is certainly one of the greatest films ever made. It is a story told in a steady pace, told mostly not by words but by cinematic means of expression. Perfect blend of spectacular special effects and classical music bring to life creations of human imagination in both realistic and poetical way. The story itself is quite simple at a first glance. As the title implies, there is an archetypal journey, a motive repeated for thousands of years. This motive was always used not only to depict a trip in space and time, and beyond, but also had rich philosophic meaning. The film is a poetical contemplation of most exciting eternal questions. It is not just an odyssey of a person; it is an odyssey of our species. The film is great by itself, yet, in my case, the impression from it will always be mingled with that from the book. I've read it at the age of 10, really not thinking about problems like 'what is the relationship between evolution of humankind and development of human morality'. But the impression was great enough to make me fall for entire genre of science fiction.
The day I learned '2001' got only special effects Oscar and was not even nominated for the Best Picture was the day when 'Academy Award' completely became two words meaning nothing to me.
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