A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be.Written by
In both the book and film, HAL's creator, Dr. Chandra, has what is almost certainly a deliberately chosen name. Chandra, as well as being a common Indian surname, is a name of the Hindu lunar deity, and the word for "moon" in Hindi. Dr. Chandra's full first name, Sivasubramanian, can be translated as "Dear priest of Shiva". Shiva, the name of a supreme Hindu deity, carries as one of its meanings "the one who admits no imperfection". Therefore Dr. Chandra, the creator of a computer believing itself incapable of mistakes, has a uniquely appropriate first name. Arthur C. Clarke, who spent much of his life in Sri Lanka (where Buddhism is a major religion and Hinduism is a minor religion), would almost certainly have known these meanings. See more »
While Poole and Bowman are watching the BBC 12 interview, the
right flat screen is slightly ahead (about two frames). This is due to both screens being rear-projected film clips from two projectors. An actual video feed would be completely synchronized. See more »
The original theatrical release had Ligeti's Atmospheres to a black screen for roughly 8 to 10 minutes before the movie began, and Strauss' The Blue Danube well after the end credits to a black screen. See more »
film is a poetical contemplation of most exciting eternal questions
This movie is certainly one of the greatest films ever made. It is a story told in a steady pace, told mostly not by words but by cinematic means of expression. Perfect blend of spectacular special effects and classical music bring to life creations of human imagination in both realistic and poetical way. The story itself is quite simple at a first glance. As the title implies, there is an archetypal journey, a motive repeated for thousands of years. This motive was always used not only to depict a trip in space and time, and beyond, but also had rich philosophic meaning. The film is a poetical contemplation of most exciting eternal questions. It is not just an odyssey of a person; it is an odyssey of our species. The film is great by itself, yet, in my case, the impression from it will always be mingled with that from the book. I've read it at the age of 10, really not thinking about problems like 'what is the relationship between evolution of humankind and development of human morality'. But the impression was great enough to make me fall for entire genre of science fiction.
The day I learned '2001' got only special effects Oscar and was not even nominated for the Best Picture was the day when 'Academy Award' completely became two words meaning nothing to me.
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