The Bolt brothers have a chance to bid on a job in San Francisco. An inexperienced Jeremy goes to place the bid. He & Candy part on angry words. A new man in town tries to help Candy over her sadness...
An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
The Cannon family runs the High Chaparral Ranch in the Arizona Territory in 1870s. Big John wants to establish his cattle empire despite Indian hostility. He's aided by brother Buck and son... See full summary »
To avoid losing their logging crew, the Bolt brothers bring 100 prospective brides from Massachusetts to Seattle, using money borrowed from sawmill owner Stempel. Should one of the girls decide to go home, or should they fail to meet Stempel's timber quotas, they will still lose their mountain to him.Written by
Ed Stephan <firstname.lastname@example.org>
According to the 1985 "Star Trek" novel "Ishmael" by Barbara Hambly, Aaron Stempel (spelled Stemple in the novel) is an ancestor of Amanda Grayson, Spock's mother. In the novel, Spock prevented the Klingons from assassinating Stempel and altering history. This is an intertextual in-joke as Stempel was played by Mark Lenard, who also played Spock's father Ambassador Sarek beginning in Star Trek: Journey to Babel (1967). See more »
[All goofs for this title are spoilers.]
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Charming simplistic 60's western series whose purpose is to just entertain. There is usually some small lesson included but it's told in an easy going manner. Many well known actors who were just starting out pop up throughout the episodes. The main cast are all fine, some like David Soul who went on to other things, others like Bobby Sherman, who is very appealing, had a few big years and then left the business but they all work well together. Best of all is the great Joan Blondell full of sass as Lottie the saloon keeper and surrogate mother to the whole town. A nice reminder of when a series didn't have to have deep meaning and grit or be about people who had to be idiotic and mocked by the one of the leads. The excellent theme and credits are an added plus, really suited to the program from a time when shows tried to have a memorable opening so you knew right from the beginning you were watching something distinctive from everything else on TV.
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