Story of a woman torn between her love for two different men.
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Title: Two Weeks in September (1967)
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Cast
| Cast overview: | |||
| Brigitte Bardot | ... | Cecile | |
| Laurent Terzieff | ... | Vincent | |
| Jean Rochefort | ... | Philippe | |
| James Robertson Justice | ... | McClintock | |
| Michael Sarne | ... | Dickinson (as Mike Sarne) | |
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Georgina Ward | ... | Patricia |
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Carole Lebel | ... | Monique |
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Annie Nicholas | ... | Chantal (as Annie Nicolas) |
| Murray Head | ... | Dickinson's Assistant | |
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Plot Summary
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Storyline
Cecile is a young and beautiful Frenchwoman married to a much older Englishman. She loves her husband and seems to be content with her life, until she meets a younger man and feels forgotten passions stirring within her. She now finds herself confronted with a choice: to stay with the steady and peaceful love of her husband, or to run off for excitement and adventure with a new love? Written by Jean-Marc Rocher <rocher@fiberbit.net>
Plot Keywords:
barefoot | feet | foot closeup | female feet | touching someone's feet |Taglines:
Bardot's first English speaking film. See more »Parents Guide:
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Trivia
David Gilmour of Pink Floyd is heard singing the songs in the party of the first sequence of the movie and later on in the bar in London. See more »Frequently Asked Questions
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Details
Release Date:
September 1967 (USA) See more »Also Known As:
Two Weeks in September See more »Filming Locations:
Studios de Billancourt - 50 Quai du Point du Jour, Boulogne-Billancourt, Hauts-de-Seine, France See more »Company Credits
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Wonderful, engrossing film, which does not hold much promise, as regards substance, in the early stages. About one-third of the way through the film, it begins to expand in scope from a superficial study of Bardot's burned-out marriage and love life, and a seemingly frivolous trek from Paris to London for Bardot and cohorts who are on a modeling assignment, to a complex, detailed unfolding of how life becomes complicated when one encounters social temptation, which blossoms into genuine passion, on the road.
Bardot displays a multi-faceted screen talent, as she personifies beauty and allure, to go with emotion and vulnerability, as she becomes entangled in the biggest crisis of her life - developing feelings and involvement with a man who is not her controlling, dispassionate husband, and who actually takes his attraction for Bardot to fever pitch. This brings Bardot to the threshold of major decision time, and she, seemingly, is overwhelmed and rendered indecisive by her dilemma.
This film represents a departure from the many Bardot films which stereotype and caricature her as a flirtatious, shallow "sex kitten." In fact, there is no stereotyping and little comedic humor in evidence, here, as Bardot takes on a serious role with remarkable ease and professionalism, making one wish she had been challenged to this extent, in her earlier films. Or was she just too young, prior to 1967, when, in her early 30's, she fulfilled the considerable talent and promise of her youth?