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Two Weeks in September (1967)

À coeur joie (original title)
Approved | | Drama, Romance | September 1967 (USA)
Story of a woman torn between her love for two different men.

Director:

Serge Bourguignon

Writers:

Serge Bourguignon (adapted by), Sean Graham (adapted by) | 3 more credits »
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Cast

Cast overview:
Brigitte Bardot ... Cecile
Laurent Terzieff ... Vincent
Jean Rochefort ... Philippe
James Robertson Justice ... McClintock
Michael Sarne ... Dickinson (as Mike Sarne)
Georgina Ward Georgina Ward ... Patricia
Carole Lebel Carole Lebel ... Monique
Annie Nicholas Annie Nicholas ... Chantal (as Annie Nicolas)
Murray Head ... Dickinson's Assistant
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Storyline

Cecile is a young and beautiful Frenchwoman married to a much older Englishman. She loves her husband and seems to be content with her life, until she meets a younger man and feels forgotten passions stirring within her. She now finds herself confronted with a choice: to stay with the steady and peaceful love of her husband, or to run off for excitement and adventure with a new love? Written by Jean-Marc Rocher <rocher@fiberbit.net>

Plot Summary | Add Synopsis

Plot Keywords:

female nudity | affair | See All (2) »

Taglines:

Sultry, sexy, pouting and provocative - It's the one and only BARDOT! See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

UK | France

Language:

English | French

Release Date:

September 1967 (USA) See more »

Also Known As:

Two Weeks in September See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

David Gilmour of Pink Floyd is heard singing the songs in the party of the first sequence of the movie and later on in the bar in London. See more »

Soundtracks

Le Jeu de l'Amour
Written by Michel Magne
See more »

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User Reviews

 
Two Movies In One
3 December 2007 | by bonfirexxSee all my reviews

Wonderful, engrossing film, which does not hold much promise, as regards substance, in the early stages. About one-third of the way through the film, it begins to expand in scope from a superficial study of Bardot's burned-out marriage and love life, and a seemingly frivolous trek from Paris to London for Bardot and cohorts who are on a modeling assignment, to a complex, detailed unfolding of how life becomes complicated when one encounters social temptation, which blossoms into genuine passion, on the road.

Bardot displays a multi-faceted screen talent, as she personifies beauty and allure, to go with emotion and vulnerability, as she becomes entangled in the biggest crisis of her life - developing feelings and involvement with a man who is not her controlling, dispassionate husband, and who actually takes his attraction for Bardot to fever pitch. This brings Bardot to the threshold of major decision time, and she, seemingly, is overwhelmed and rendered indecisive by her dilemma.

This film represents a departure from the many Bardot films which stereotype and caricature her as a flirtatious, shallow "sex kitten." In fact, there is no stereotyping and little comedic humor in evidence, here, as Bardot takes on a serious role with remarkable ease and professionalism, making one wish she had been challenged to this extent, in her earlier films. Or was she just too young, prior to 1967, when, in her early 30's, she fulfilled the considerable talent and promise of her youth?


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