7.3/10
11,431
103 user 66 critic

Weekend (1967)

Week End (original title)
Not Rated | | Adventure, Comedy, Drama | 27 September 1968 (USA)
A surreal tale of a married couple going on a road trip to visit the wife's parents with the intention of killing them for the inheritance.

Director:

Jean-Luc Godard

Writer:

Jean-Luc Godard
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1 win & 3 nominations. See more awards »

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Cast

Credited cast:
Mireille Darc ... Corinne Durand
Jean Yanne ... Roland Durand
Jean-Pierre Kalfon ... Le chef du Front de Libération de la Seine et Oise
Rest of cast listed alphabetically:
Karl Marx ... Himself (archive footage)
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Storyline

A supposedly-idyllic weekend trip to the countryside turns into an endless nightmare of traffic jams, revolution, cannibalism, and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations. Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Italy

Language:

French

Release Date:

27 September 1968 (USA) See more »

Also Known As:

Weekend See more »

Filming Locations:

Paris, France

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Box Office

Budget:

$250,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Premiere voted this movie as one of "The 25 Most Dangerous Movies". See more »

Quotes

Title Card: A FILM ADRIFT IN THE COSMOS
See more »

Connections

References The Crime of Monsieur Lange (1936) See more »

Soundtracks

Sonata No. 19 in D-major, K. 576: I. Allegro
Composed by Wolfgang Amadeus Mozart
[Played by the pianist at the farm]
See more »

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User Reviews

 
They don't make 'em like this anymore
31 March 2004 | by Nick SoapdishSee all my reviews

Watching "Weekend" gave me the same joyous sensation as watching Bunuel's "The Phantom of Liberty." It's so blessedly free from conventionality that it's a rollercoaster of voyeuristic pleasure. Every scene is a text unto itself and maybe it relates to the whole, maybe it doesn't. Godard is making up his own rules as he goes along. This might be the first truly existential film I've seen. It's the kind of movie Nietzsche would've made if he'd been alive to see the advent of film art.

It's a shame, though, that the closest thing we have to Godard nowadays is guys like Quentin Tarantino and Wes Anderson. Not to knock Q or Wes - I have a lot of love for their movies - but you just don't feel the same freedom watching one of their movies as you do watching Godard's, because with theirs you still realize you're following a constricting narrative path, contrived to hoodwink us into thinking the world makes sense.

There is certainly a place for that kind of filmmaking. But there's a place for Godard's kind, too, and it's a shame that niche isn't being satisfied.

11+ (cuz JLG's a rule breaker)


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