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Valley of the Dolls (1967)

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Film version of Jacqueline Susann's best-selling novel chronicling the rise and fall of three young women in show business.

Director:

Mark Robson

Writers:

Jacqueline Susann (novel), Helen Deutsch (screenplay) | 1 more credit »
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Popularity
3,570 ( 1,336)
Nominated for 1 Oscar. Another 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Barbara Parkins ... Anne Welles
Patty Duke ... Neely O'Hara
Paul Burke ... Lyon Burke
Sharon Tate ... Jennifer North
Tony Scotti ... Tony Polar
Martin Milner ... Mel Anderson
Charles Drake ... Kevin Gillmore
Alexander Davion ... Ted Casablanca (as Alex Davion)
Lee Grant ... Miriam Polar
Naomi Stevens ... Miss Steinberg
Robert H. Harris ... Henry Bellamy
Jacqueline Susann ... First Reporter
Robert Viharo ... Director
Joey Bishop ... MC at Telethon
George Jessel ... MC Grammy Awards
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Storyline

Anne Welles, a bright, brash young New England college grad leaves her Peyton Place-ish small town and heads for Broadway, where she hopes to find an exciting job and sophisticated men. During her misadventures in Manhattan and, later, Hollywood, she shares experiences with two other young hopefuls: Jennifer North, a statuesque, Monroe-ish actress who wants to be accepted as a human being, but is regarded as a sex object by all the men she meets, and Neely O'Hara, a talented young actress who's accused of using devious means by a great older star (Helen Lawson) to reach the top, pulling an "All About Eve"-type deception in order to steal a good role away from her. Written by filmfactsman

Plot Summary | Plot Synopsis

Taglines:

The nation's most startling and hotly discussed best-seller now on the screen with every shock and sensation intact See more »

Genres:

Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements involving substance abuse, some sexual content, partial nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

9 February 1968 (Sweden) See more »

Also Known As:

El valle de las muñecas See more »

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Box Office

Budget:

$5,000,000 (estimated)

Gross USA:

$44,432,255

Cumulative Worldwide Gross:

$50,000,000, 31 January 1973
See more on IMDbPro »

Company Credits

Production Co:

Red Lion See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo (Westrex Recording System)

Color:

Color

Aspect Ratio:

2.40 : 1
See full technical specs »
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Did You Know?

Trivia

This film is listed among The 100 Most Amusingly Bad Moves Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE. See more »

Goofs

When Helen goes into the ladies room to escape Neely's grand entrance, just before their cat fight, the position of her hands changes between shots as she sits at the table smoking. See more »

Quotes

Anne Welles: I used to pretend - you going bald and fat.
Lyon Burke: I used to picture you with a sink full of dishes and a baby tugging at your skirt.
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Connections

Referenced in Bajo la sal (2008) See more »

Soundtracks

I'll Plant My Own Tree
Music by André Previn
Lyrics by Dory Previn
Sung by Susan Hayward (uncredited) (dubbed by Margaret Whiting)
See more »

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User Reviews

 
No flick is for literally EVERYone...
5 December 2004 | by TheConsensusOpinionSee all my reviews

I find it interesting that so many feel it is essential to lambaste a film like VOTD. It is what it is -- and, like it or not, it does "work."

Is it dated? Well, let me answer that by asking the eternal question, "Does Raggedy Ann have cotton BOOBIES?" (Perhaps they're polyester, but you get the...uh -- point.) One simply cannot view all movies the same way -- let alone expect the same 'standards' for/from them. Were some of you anticipating Shakespeare or perhaps 'The Lion in Winter' when viewing VOTD?

This film sought to depict the PERCEIVED lives of entertainment professionals of the era, and in most ways it succeeds. Anyone worthy of his PEOPLE magazine subscription knows full-well that a great many such individuals lead tawdry lives and quite regularly spout inane, and mundane (not to mention SO VERY lame) bits of 'dialogue' ...

And has there ever -- and I do mean EVER -- been a bio of such a person that did NOT include the requisite drug addictions and 'rite-of-passage' stay at Betty Ford (or its predecessors), abortions, suicide attempts, medical emergencies, or otherwise 'near-tragic' near-endings?

There are many questions one really must ask himself when attempting to absorb fare such as this. And I actually believe that at least on one level VOTD is bona fide brilliant. Consider from whose point of view this material is seen. What did the consumers of entertainers expect or presume about the lives of 'stars' and public persons based on the limited blurbs of truth, rumor and innuendo leaked out in the 60's?

This flick is attempting to convey the general theme that people of that ilk and the lengths to which they were willing to go to achieve or maintain their perceived "status" were simply 'NOT TO BE BELIEVED' ... And finding fault with the production design or style of images filmed in the late 1960s is simply irrelevant in a story about people from (not to mention filmed in) that era!

One should also consider whether or not it was possible for the average viewer to have -- in any sense -- a "realistic" image of individuals who occupied this starry realm in a time long before 'Biography,' 'The E! True Hollywood Story,' and 'VH1's Behind the Music' ... With free love bustin' out all over why on earth would the people out there 'in the dark' want or expect those giant heads to look, act, or sound like the person sitting beside them (or those pitiful small, shrunken-by-censors heads from television)?

And if the hindsight of such expository cable programs today have told us anything at all about 'celebrities' it's that their lives actually ARE -- in so very many ways -- clichés!

By my accounting VOTD got it right -- exactly right. And I'll stake my film school (AND academic) education(s) and unfailing, critical eye on that. I love this film. Is it one of the ten best films of all time? Well, no -- it certainly isn't. But it IS one of my ten most favorite films of all time. (And not only should the theme song have been nominated for 'Song of the year' by the Academy -- it should have WON the Oscar... And I'll stake my undergrad music major education on THAT! It never ceases to amaze me how consistently the voters get that category exactly WRONG...)


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