Gold bullion worth USD 1 billion has been stolen from a hijacked train in Denmark. The main suspect is Count Massimo Contini. The US government sends Matt Helm, one of its top agents, to investigate and recover the gold.
Young philanderer inherits 13 ratty antique chairs and decides to sell them off to get some money. Later he learns that one of them contains documents worth a lot of money, so he begins an ... See full summary »
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The original primetime soap took place in the title town, which was founded by the Peyton family, whose members included the Harringtons. Some of the plots involved Rodney Harrington, the ... See full summary »
George Matthews is a young man who is having a bittersweet affair with a French divorcée in Los Angeles. Waiting to be drafted, he is unable to commit himself to anything or anybody, ... See full summary »
Three go-go dancers holding a young girl hostage come across a crippled old man living with his two sons in the desert. After learning he's hiding a sum of cash around, the women start scheming on him.
Vixen lives in a Canadian mountain resort with her naive pilot husband. While he's away flying in tourists, she gets it on with practically everybody including a husband and his wife, and ... See full summary »
Anne Welles, a bright, brash young New England college grad leaves her Peyton Place-ish small town and heads for Broadway, where she hopes to find an exciting job and sophisticated men. During her misadventures in Manhattan and, later, Hollywood, she shares experiences with two other young hopefuls: Jennifer North, a statuesque, Monroe-ish actress who wants to be accepted as a human being, but is regarded as a sex object by all the men she meets, and Neely O'Hara, a talented young actress who's accused of using devious means by a great older star (Helen Lawson) to reach the top, pulling an "All About Eve"-type deception in order to steal a good role away from her.Written by
In the Valley of the Dolls, it's instant turn-on... dolls to put you to sleep at night, kick you awake in the morning, make life seem great - instant love, instant excitement, ultimate hell! See more »
Upon its release the picture was roundly scorned and condemned by critics. Moaned Bosley Crowther in the December 16, 1967, issue of The New York Times, "... all a fairly respectful admirer of movies can do is laugh at it and turn away." Nevertheless, audiences filled the theaters, and the film became 20th Century-Fox's top moneymaker of 1968. See more »
When Neely is tap dancing on the table, shown by her shadow on the wall, there is clearly no pony tail on the shadow, but when she jumps down she has a pony tail. See more »
I find it interesting that so many feel it is essential to lambaste a film like VOTD. It is what it is -- and, like it or not, it does "work."
Is it dated? Well, let me answer that by asking the eternal question, "Does Raggedy Ann have cotton BOOBIES?" (Perhaps they're polyester, but you get the...uh -- point.) One simply cannot view all movies the same way -- let alone expect the same 'standards' for/from them. Were some of you anticipating Shakespeare or perhaps 'The Lion in Winter' when viewing VOTD?
This film sought to depict the PERCEIVED lives of entertainment professionals of the era, and in most ways it succeeds. Anyone worthy of his PEOPLE magazine subscription knows full-well that a great many such individuals lead tawdry lives and quite regularly spout inane, and mundane (not to mention SO VERY lame) bits of 'dialogue' ...
And has there ever -- and I do mean EVER -- been a bio of such a person that did NOT include the requisite drug addictions and 'rite-of-passage' stay at Betty Ford (or its predecessors), abortions, suicide attempts, medical emergencies, or otherwise 'near-tragic' near-endings?
There are many questions one really must ask himself when attempting to absorb fare such as this. And I actually believe that at least on one level VOTD is bona fide brilliant. Consider from whose point of view this material is seen. What did the consumers of entertainers expect or presume about the lives of 'stars' and public persons based on the limited blurbs of truth, rumor and innuendo leaked out in the 60's?
This flick is attempting to convey the general theme that people of that ilk and the lengths to which they were willing to go to achieve or maintain their perceived "status" were simply 'NOT TO BE BELIEVED' ... And finding fault with the production design or style of images filmed in the late 1960s is simply irrelevant in a story about people from (not to mention filmed in) that era!
One should also consider whether or not it was possible for the average viewer to have -- in any sense -- a "realistic" image of individuals who occupied this starry realm in a time long before 'Biography,' 'The E! True Hollywood Story,' and 'VH1's Behind the Music' ... With free love bustin' out all over why on earth would the people out there 'in the dark' want or expect those giant heads to look, act, or sound like the person sitting beside them (or those pitiful small, shrunken-by-censors heads from television)?
And if the hindsight of such expository cable programs today have told us anything at all about 'celebrities' it's that their lives actually ARE -- in so very many ways -- clichés!
By my accounting VOTD got it right -- exactly right. And I'll stake my film school (AND academic) education(s) and unfailing, critical eye on that. I love this film. Is it one of the ten best films of all time? Well, no -- it certainly isn't. But it IS one of my ten most favorite films of all time. (And not only should the theme song have been nominated for 'Song of the year' by the Academy -- it should have WON the Oscar... And I'll stake my undergrad music major education on THAT! It never ceases to amaze me how consistently the voters get that category exactly WRONG...)
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