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Two for the Road (1967)

Not Rated | | Comedy, Drama, Romance | 15 July 1967 (Japan)
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A couple in the south of France non-sequentially spin down the highways of infidelity in their troubled ten-year marriage.

Director:

Stanley Donen
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Nominated for 1 Oscar. Another 4 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
Audrey Hepburn ... Joanna Wallace
Albert Finney ... Mark Wallace
Eleanor Bron ... Cathy Manchester
William Daniels ... Howard Manchester
Gabrielle Middleton Gabrielle Middleton ... Ruth Manchester
Claude Dauphin ... Maurice Dalbret
Nadia Gray ... Francoise Dalbret
Georges Descrières ... David (as Georges Descrieres)
Jacqueline Bisset ... Jackie
Judy Cornwell ... Pat
Irène Hilda Irène Hilda ... Yvonne de Florac (as Irene Hilda)
Dominique Joos Dominique Joos ... Sylvia
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Storyline

Married early thirty-somethings Joanna and Mark Wallace are making the three day drive from their home in London to St. Tropez for the unveiling of the lavish house Mark, a successful architect, designed for his wealthy clients, Maurice and Francoise Dalbret. Joanna and Mark are at a rough stage of their relationship, much of their conversation along the way centered on the possibility of divorce to end the farce they now consider their marriage. The macro ups and downs of their marriage are presented in previous road trips they took together in France, with each trip having its own micro ups and downs. The first was twelve years earlier when they met, he backpacking through the country, she traveling to a music festival with her all-girl singing group, with they ending up together purely by circumstance instead of Mark hooking up with Joanna's colleague, Jackie. The second was an impromptu trip which was supposed to be throughout the continent with Mark's ex-girlfriend, the former ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

They make something wonderful out of being alive!

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | French | Italian

Release Date:

15 July 1967 (Japan) See more »

Also Known As:

Un camino para dos See more »

Filming Locations:

France See more »

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Box Office

Budget:

$4,000,000 (estimated)

Cumulative Worldwide Gross:

$12,000,000, 31 January 1968
See more on IMDbPro »

Company Credits

Production Co:

Stanley Donen Films See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Is one of very few films in which Audrey Hepburn uses profanity. She says "damn", and "bastard", over the course of the film. See more »

Goofs

While riding in a limousine, Joanna's hairdo is first shown with bangs, then without bangs, and then with bangs again. See more »

Quotes

[first lines]
Joanna Wallace: [referring to a pair of newlyweds seated in the back of a Rolls Royce] They don't look very happy.
Mark Wallace: Why should they? They just got married.
See more »

Connections

Referenced in Julia: Two for the Toad (1970) See more »

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User Reviews

 
Beautifully Rendered Postcards With a Peerless Audrey
16 December 2005 | by EUyeshimaSee all my reviews

I read in Danny Peary's "A Guide for the Film Fanatic" that some people have formed a strong emotional attachment to this 1967 film. I am one of them. From the opening notes of Henry Mancini's evocative score (personally I think it's his best work) to the end where the main characters drive off into Italy after some verbal sparring, this movie still provides the same pleasure it did when I first saw it on TV in the early seventies. "Two for the Road" is a time capsule of Carnaby Street fashion and French new wave scene juxtaposition, but it remains timeless in its emotionally piercing view of marriage and in the beguiling presence of Audrey Hepburn. There will unlikely be an actress with more style or grace on screen, and never has she seemed more sexy, playful or innately human. It's a shame she never played a role as rich in texture as Frederic Raphael's script provides here. His dialogue is sharp and insightful, as he has the main characters often repeat one another for the sake of getting a different meaning from the same line of dialogue.

As Joanna and Mark Wallace, Hepburn and Albert Finney get to live out more than a decade in their characters' lives from initial meeting to near-divorce. What makes the evolution more impressive is that the story is not a linear narrative but rather a series of five road trips that volley the viewer back and forth in the relationship. Finney provides a formidable match for Hepburn, and he plays with the right mix of roguish insouciance and insecure ambition that doesn't make his character always likable but certainly believable. Their chemistry is palpable, especially in the early days of their courtship as the movie makes hitchhiking the most romantic of adventures with the couple cutting through the entirety of France in various vehicles in record time. Only in the movies. The episode with the pretentious American tourist couple and their bratty daughter provides some biting and funny moments...ironically, the actress portraying the wife, Eleanor Bron, is British. Not surprising that this movie was not such a huge hit stateside since the four Americans in the movie are portrayed in such an unflattering light.

Regardless, credit needs to go to director Stanley Donen (himself an American), who somehow pulls all these disparate elements together and uses his extensive Hollywood experience to bring a nice glossy sheen to the whole film. His third collaboration with Hepburn (after "Funny Face" and "Charade") really turns into a tribute to her as she makes a remarkable transformation from naïve choirgirl to jaded jet-set housewife that goes well beyond the changing hairstyles and clothing. This is one to treasure.

This wondrous film has been lovingly restored for its much-delayed DVD release. The print quality has been significantly improved over the VHS tape I've had for over a decade. A nice bonus feature is a split-screen before-and-after short that shows the visual improvement. Best of all, there is finally an audio commentary track to accompany the film, and Donen provides illuminating insight on the elliptical narrative structure and the non-chronological juxtaposition of the scenes. He explains that the characters are reliving their memories by association with the feelings they are having in the present. His adoration of Hepburn is pervasive and understandable, as he claims rightfully that this was her best performance (they worked together three times). I just wish Finney was available to add his perspective. Moreover, if you ever wondered why the young Jacqueline Bisset's voice doesn't sound like her at all, he admits she was re-dubbed by another actress due to the blaring noise of generators during the location shooting. She apparently had already moved on to shoot her first Hollywood film. For those like me who adore this film, the DVD is a must-buy.


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