| Complete credited cast: | |||
| Audrey Hepburn | ... | Joanna Wallace | |
| Albert Finney | ... | Mark Wallace | |
| Eleanor Bron | ... | Cathy Manchester | |
| William Daniels | ... | Howard Manchester | |
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Gabrielle Middleton | ... | Ruth Manchester |
| Claude Dauphin | ... | Maurice Dalbret | |
| Nadia Gray | ... | Francoise Dalbret | |
| Georges Descrières | ... | David (as Georges Descrieres) | |
| Jacqueline Bisset | ... | Jackie | |
| Judy Cornwell | ... | Pat | |
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Irène Hilda | ... | Yvonne de Florac (as Irene Hilda) |
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Dominique Joos | ... | Sylvia |
Joanna and her architect husband, Mark Wallace have been married for a decade, and their relationship's become very rocky. As they drive from their London home to St. Tropez for the unveiling of a house Mark has designed for his clients, Maurice and Francoise Dalbret, they recall the events - both happy and sad, which neither then to this point. Told in flashback they pair recall their first meeting, and memorable moments in their courtship and early wedded life, as well as the tensions they both felt which led them each to extramarital affairs. With a terrific score by Henry Mancini, this welli-loved Stanley Donnen film's a sparkling effervescent story which deals in an atypical way for films of this time - showing both the joyousness and pathos off love. Written by Huggo
I think that Audrey Hepburn's portrayal of Joanna is her most intense, subtle, and mature. We see her progression from college co-ed to married woman with child, all over the course of about 14 years. In the beginning she is a woman without experience and falls for the boyish charm of Albert Finney. During the course of their marriage, it is she who evolves as she copes with being a parent and with his philandering. This movie portrays what happens to women who enter relationships as innocents, who deal fairly and faithfully with their husbands, only to be done dirt. Had this movie been made twenty years later, we may have seen Joanna progress to a life without Mark and perhaps claim her own identity separate from his. The only movie contemporary to "Two for the Road" that deals realistically with a woman being trapped in a marriage with a cheating spouse is "The Happy Ending" with Audrey's contemporary, the underrated Jean Simmons. I think that "Two for the Road" kind of craps out at the very end by simply devolving into a madcap Swinging 60s frolic, as we see the characters kiss and make up and ride off into their high-end Euro trash sunset.