7.7/10
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120 user 30 critic

To Sir, with Love (1967)

Not Rated | | Drama | 14 June 1967 (USA)
Idealistic engineer-trainee and his experiences in teaching a group of rambunctious white high school students from the slums of London's East End.

Director:

James Clavell

Writers:

E.R. Braithwaite (novel), James Clavell (written for the screen by)

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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sidney Poitier ... Mark Thackeray
Christian Roberts ... Denham
Judy Geeson ... Pamela Dare
Suzy Kendall ... Gillian Blanchard
Ann Bell ... Mrs. Dare
Geoffrey Bayldon ... Theo Weston
Faith Brook ... Grace Evans
Patricia Routledge ... Clinty Clintridge
Christopher Chittell ... Potter
Adrienne Posta ... Moira Joseph
Edward Burnham ... Florian
Rita Webb Rita Webb ... Mrs. Joseph
Fiona Duncan Fiona Duncan ... Euphemia Phillips
Fred Griffiths Fred Griffiths ... Mr. Clark
Mona Bruce Mona Bruce ... Josie Dawes
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Storyline

Engineer Mark Thackeray arrives to teach a totally undisciplined class at an East End school. Still hoping for a good engineering job, he's hopeful that he won't be there long. He starts implementing his own brand of classroom discipline: forcing the pupils to treat each other with respect. Inevitably he begins getting involved in the students' personal lives, and must avoid the advances of an amorous student while winning over the class tough. What will he decide when the engineering job comes through? Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

A story as fresh as the girls in their minis. . .and as tough as the kids from London's East End! [UK Theatrical] See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

14 June 1967 (USA) See more »

Also Known As:

To Sir, with Love See more »

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Box Office

Budget:

$640,000 (estimated)

Gross USA:

$42,432,803
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Lulu receives an "introducing" credit. See more »

Goofs

Top middle, just before Thackeray storms out in anger. See more »

Quotes

Mark Thackeray: [entering classroom and seeing smoke] All you boys, out. Girls stay where you are. Out.
[closes door]
Mark Thackeray: I am sick of your foul language, your crude behavior and your sluttish manner. There are certain things a decent woman keeps private, and only a filthy slut would have done this and those who stood by and encouraged her are just as bad. I don't care who's responsible - you're all to blame. Now, I am going to leave this room for five minutes by which time that disgusting object had better be ...
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Crazy Credits

In the end credits, Michael Des Barres name is misspelled as "Micheal." See more »

Connections

Referenced in Mystery Science Theater 3000: The Corpse Vanishes (1989) See more »

Soundtracks

It's Getting Harder All The Time
Lyrics by Ben Raleigh
Music by Charles Albertine
Performed by The Mindbenders (uncredited)
See more »

Frequently Asked Questions

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User Reviews

 
Touching film; anchored by Poitier's flawless performance
30 April 2006 | by robb_772See all my reviews

Sidney Poitier's exceptional lead performance anchors this touching film about that special person who changes your life. As the first time teacher to a group of undisciplined British youth, Poitier is in virtually every frame of this picture. It is a role that calls for a high degree of character development, and Poitier meets and expands the challenge by totally inhabiting the character he is playing. I honestly cannot think of any way his performance could be better, and this is a huge compliment for any actor - even one of Mr. Poitier's immense talents.

While not in the same league, the young cast of then-unknowns also perform quite well. Particularly effective of the young cast members is fresh-faced Judy Geeson, who brings unexpected depth to the stereotypical role of the young schoolgirl love-struck over Mr. Poitier (who could blame her). Director/writer/producer James Clavell avoids over-sentimentalization by inject his well-written script with a healthy dose of realism. The film may not be particularly striking, in the visual sense, but Clavell is a perfectly competent film maker, and his love of the material is evident throughout the entire picture.


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