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Scusi, lei è favorevole o contrario? (1966)

A successful fifty-year-old entrepreneur, Tullio Conforti, opposed to divorce for religious reasons, is in fact separated from his wife and leads a frenetic life divided between numerous lovers.

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Cast

Credited cast:
... Tullio Conforti
... Olga, la baronessa
... Ingrid (as Bibi Anderson)
... Romina (as Tina Marquand)
... Valeria Conforti
Franca Marzi ... Camilla
Mario Pisu ... Barone Renato Santambrogio
... Agnese Frustalupi
Nino Besozzi ... Camillo Tasca
... Baronessa Cornianu (as Maria Quasimodo)
Eugene Walter ... Igor
Anna Mazzanti ... Esperia
Angela Mazzanti ... Carmen
Rest of cast listed alphabetically:
Anna Lina Alberti ... Celeste
Renato Angiolillo
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Storyline

A successful fifty-year-old entrepreneur, Tullio Conforti, opposed to divorce for religious reasons, is in fact separated from his wife and leads a frenetic life divided between numerous lovers.

Plot Summary | Add Synopsis

Plot Keywords:

divorce | See All (1) »

Genres:

Comedy

Certificate:

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Details

Country:

Language:

Release Date:

23 December 1966 (Italy)  »

Also Known As:

Pardon, Are You for or Against?  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Westrex System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Trivia

Italian censorship visa # 48327 delivered on 19-12-1966. See more »

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User Reviews

 
A movie about the italian way to divorce
10 October 2002 | by See all my reviews

In the 1960s a law introducing divorce in Italy was strongly opposed by the Church and Italians were divided between "favorevoli" (in favour of divorce) and "contrari" (opposers). In this "Scusi lei e' favorevole o contrario?" Alberto Sordi plays his usual role of the little italian rascal: he makes business with the clergy, proclaims himself a 100% Roman Catholic and a strong opposer of divorce, but has a really peculiar private life, living separated from his wife (Giulietta Masina) and playing the whole week with six girl-friends, one for day; and only on Sunday he finally takes a rest...

It's really difficult to call this a masterpiece; Sordi is good as usual, but nothing different from usual; and 35 years after, almost everything seems dated in this movie.


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