Merimies Gibraltarista (1967)
The Sailor from Gibraltar (original title)Reference View | Change View
- 1h 31min
- Drama, Romance
- 29 Sep 1967 (Finland)
- Movie
- Nominated for 2 BAFTA Film Awards.
- See more »
Photos and Videos
Cast
| Jeanne Moreau | ... |
Anna
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| Ian Bannen | ... |
Alan
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| Vanessa Redgrave | ... |
Sheila
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| Orson Welles | ... |
Louis de Mozambique
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| Zia Mohyeddin | ... |
Noori
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| Hugh Griffith | ... |
Llewellyn
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| Umberto Orsini | ... |
Postcard Vendor
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| Erminio Spalla | ... |
Eolo
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| Eleonora Brown | ... |
Carla
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| Gabriella Pallotta | ... |
Girl at Dance
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| Arnoldo Foà | ... |
Man on Train
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Claudio de Renzi | ... |
Jeannot
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| Fausto Tozzi | ... |
Captain
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| John Hurt | ... |
John
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| Thodoros Roubanis | ... |
Theo
(as Theo Roubanis)
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| Massimo Sarchielli | ... |
Massimo
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| Guglielmo Spoletini | ... |
Guglielmo
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Wolfgang Hillinger | ... |
Wolf
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| Rest of cast listed alphabetically: | |||
| Brad Moore | ... |
Brad
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Directed by
| Tony Richardson | ||
Written by
| Marguerite Duras | ... | (novel "Le marin de Gibraltar") |
| Christopher Isherwood | ... | () |
| Don Magner | ... | () |
| Tony Richardson | ... | () |
Produced by
| Neil Hartley | ... | associate producer |
| Oscar Lewenstein | ... | producer |
Music by
| Antoine Duhamel | ||
Cinematography by
| Raoul Coutard | ||
Film Editing by
| Bill Blunden | ||
| Antony Gibbs | ... | (as Anthony Gibbs) |
| Brian Smedley-Aston | ||
Editorial Department
| Antony Gibbs | ... | editorial adviser |
Art Direction by
| Marilena Aravantinou | ||
Set Decoration by
| Josie MacAvin | ||
Costume Design by
| Jocelyn Rickards | ||
Makeup Department
| Simone Knapp | ... | makeup artist |
Production Management
| Gérard Crosnier | ... | unit manager |
| Marc Maurette | ... | production manager |
| Mohamed Ragai | ... | production manager |
| Orazio Tassara | ... | production manager |
Second Unit Director or Assistant Director
| Christian de Chalonge | ... | assistant director |
| Norman J. Warren | ... | second unit director |
Sound Department
| Kevin Connor | ... | sound |
Visual Effects by
| Alan Aldridge | ... | titles |
Camera and Electrical Department
| Dimitris Papakonstadis | ... | first assistant camera |
Costume and Wardrobe Department
| Ruth Myers | ... | wardrobe mistress |
Script and Continuity Department
| Suzanne Schiffman | ... | script girl |
Additional Crew
| Anna O'Reilly | ... | production assistant |
Production Companies
Distributors
- United Artists (1967) (United Kingdom) (theatrical)
- Kommunenes Filmcentral (KF) (1967) (Norway) (theatrical)
- Lopert Pictures Corporation (1967) (United States) (theatrical)
- United Artists (1968) (Sweden) (theatrical)
Special Effects
Other Companies
Storyline
| Plot Summary |
Alan, after quarrelling with his girlfriend Sheila, becomes intrigued by Anna, a mysterious widow who's searching for a sailor she had known many years before. Alan and Anna begin the search on board a yacht bound for Greece, but they don't find the sailor. After a stop in Africa, Louis de Mozambique joins the party and suggests that the sailor may never have existed other than in Anna's mind. Written by Adalberto Fornario |
| Plot Keywords | |
| Taglines | What Was She Looking For? See more » |
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| Parents Guide | Add content advisory for parents » |
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Additional Details
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Did You Know?
| Trivia | Tony Richardson's vociferous (and very personal) complaints about Ian Bannen and his behavior during the making of this movie were perhaps a revenge for remarks Bannen made at the time this movie first appeared, when he told an interviewer that the plot had never made sense, that there had been re-writes of the script almost every day up to the end of filming, and that these re-writes were usually presented to the cast members handwritten on toilet paper. See more » |
| Movie Connections | Featured in Christopher Isherwood: A Born Foreigner (1969). See more » |
| Soundtracks | Jo le Rouge See more » |
| Quotes |
Alan:
What do you do when you don't know what you want? When you know you're desperate but don't know why. When you can't express how you feel, even to yourself. And when a way out seems a thousand to one chance. See more » |