6.9/10
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77 user 35 critic

Reflections in a Golden Eye (1967)

Not Rated | | Drama, Romance, Thriller | 13 October 1967 (USA)
Trailer
2:42 | Trailer

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Bizarre tale of sex, betrayal, and perversion at a military post.

Director:

John Huston

Writers:

Chapman Mortimer (screenplay), Gladys Hill (screenplay) | 1 more credit »
Reviews
1 nomination. See more awards »

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Cast

Complete credited cast:
Elizabeth Taylor ... Leonora Penderton
Marlon Brando ... Maj. Weldon Penderton
Brian Keith ... Lt. Col. Morris Langdon
Julie Harris ... Alison Langdon
Zorro David Zorro David ... Anacleto
Gordon Mitchell ... Stables Sergeant
Irvin Dugan Irvin Dugan ... Capt. Murray Weincheck
Fay Sparks Fay Sparks ... Susie
Robert Forster ... Pvt. L.G. Williams
Rest of cast listed alphabetically:
Ed Metzger ... Pvt. Frank Brian
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Storyline

US Army Major Weldon Penderton is stationed on a base in the American south. He and his wife Leonora Penderton are in an unsatisfying marriage. Weldon is generally a solitary man who in his time alone tries to bolster his self image as he feels less than adequate as a man and a major. He does not want to viewed like Captain Murray Weincheck, who has been bypassed for promotion time and time again solely because he is seen as being too sensitive. Self absorbed Leonora, when not focused on her passion of horses and riding, tries to maintain the facade of being what she sees an officer's wife should be while she carries on an affair with their next door neighbor, married Colonel Morris Langdon. Morris' wife, Alison Langdon, suffered a nervous breakdown three years ago after miscarrying, she still with that nervous constitution. Alison is generally drawn toward sensitive types, such as Captain Weincheck and their faithful flamboyant Filipino houseboy, Anacleto. Peripheral to the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

In the loosest sense he is her husband. . .and in the loosest way she is his wife! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

13 October 1967 (USA) See more »

Also Known As:

Reflejos en tus ojos dorados See more »

Filming Locations:

Long Island, New York, USA See more »

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Box Office

Budget:

$4,500,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This was one of Director John Huston's personal favorite films of his own. See more »

Goofs

When Leonora is writing invitations to a party in her house, the amount of drink in her glass decreases between shots. See more »

Quotes

Leonora: Have you ever been collared and dragged out into the street and thrashed by a naked woman?
See more »

Alternate Versions

In the version of the film released in Brazil's cinemas in the late 1960s, it was Anacleto who announced that Mrs. Alison had cut off her nipples with the garden shears. But in the later VHS version, it is Leonora who makes the remark to Lt. Col. Langdon while they are playing cards. See more »

Connections

Referenced in City Lights: Episode dated 10 October 1979 (1979) See more »

Soundtracks

Mazurka
(uncredited)
Music by Franz Lehár
Lyrics by Leo Stein
See more »

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User Reviews

 
Southern Fried Gothic Of The Most Delicious Kind
7 August 2005 | by gabrieletaiboSee all my reviews

Montgomery Clift was supposed to play Brando's part. Elizabeth Taylor had put her own salary as a collateral for insurances purposes. It wasn't to be but the thought stayed with me throughout the film without spoiling the perverse delights's of Carson McCuller's steamy original story. Gladys Hill, adapting McCuller's book, was clearly giving John Huston exactly what he needed, she did it two other times in "The Kremlin Letter" and most memorably in "The Man Who Would Be King" John Huston has traveled through many different universes throughout his career. Sometimes he merely visited with a fantastic inquisitive eye and his masterful hand. He was never one to judge, he seem to find redeeming sides even in the, apparently, unredeemable. Here he seems to observe this peculiar world from a distance and what he gives us is a brilliantly cinematic glimpse into the unmentionable. In lesser hands this would have been an heavy, turgid melodrama in Huston's hands is a brilliantly heavy, stunningly turgid, intelligent melodrama. Brando is terrific in one of his most uncomfortable performances. You sense he is a time bomb that stopped clicking. Elizabeth Taylor throws herself into the part with such gusto that keeps the proceedings not merely high but in flames - this was her messy wives period, Virginia Woolf and Zee - The shots of her beautifully round behind bouncing up and down her horse's saddle is a funny reminder of her National Velvet days. So far, far away. Here, her casual cruelty is so totally amoral that verges on innocence. Julie Harris's performance is nothing short of sensational and Zorro David as her loyal Anacleto starts as a caricature and ends as one of the stalwarts of the piece. The great John Huston had cinematographer Aldo Tonti to translate this kinky universe into a stunning, steamy masterpiece.


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