A young woman lives a life filled with bad choices, she has a child with an abusive thief at a young age who quickly ends up in prison. One day, her son goes missing and she briefly comes to grips with what is most important to her.
A rediscovered classic from director Ken Loach (THE WIND THAT SHAKES THE BARLEY, KES) and one of the inspirations for Wes Anderson's MOONRISE KINGDOM, BLACK JACK is a dark and complex ... See full summary »
The story of Stevie, a construction worker, and his girlfriend, an unemployed pop singer, serves to show the living conditions of the British poor class
Director:
Ken Loach
Stars:
Robert Carlyle,
Emer McCourt,
Jim R. Coleman
Thatcherism and the Irish troubles provide the backdrop for this study of Mick, a well-meaning youth in Sheffield, who has, unlike Dickens' Pip, no expectations. Mick lives with his parents... See full summary »
Director:
Ken Loach
Stars:
Graham Green,
Carolyn Nicholson,
Tony Pitts
A simple tale of a year in the life of a Gamekeeper. From the troubles involved in rearing the pheasants and dealing with predators (poachers and foxes). The gamekeeper shows us all the ... See full summary »
1987, love in time of war. A bus driver George Lennox meets Carla, a Nicaraguan exile living a precarious, profoundly sad life in Glasgow. Her back is scarred, her boyfriend missing, her ... See full summary »
Director:
Ken Loach
Stars:
Robert Carlyle,
Oyanka Cabezas,
Scott Glenn
This Ken Loach film tells the story of a man devoted to his family and his religion. Proud, though poor, Bob wants his little girl to have a beautiful (and costly) brand-new dress for her ... See full summary »
This Ken Loach docu-drama relates the story of a British woman's fight with Social Services over the care of her children. Maggie has a history of bouncing from one abusive relationship to ... See full summary »
Addresses some of the major 60s social issues - a bored rich London-girl from Chelsea decides to go "slumming" in depressed Battersea, getting a flat and starts factory-work and makes friends... of which one has to get an illegal abortion.
Director:
Peter Collinson
Stars:
Suzy Kendall,
Dennis Waterman,
Maureen Lipman
Two thirtysomethings, unemployed former alcoholic Joe and community health worker Sarah, start a romantic relationship in the one of the toughest Glasgow neighbourhoods.
A young woman lives a life filled with bad choices. She marries and has a child with an abusive thief at a young age who quickly ends up in prison. Left alone she takes up with his mate (another thief) who seems to give her some happiness but who also ends up in the nick. She then takes up with a series of seedy types who offer nothing but momentary pleasure. Her son goes missing and she briefly comes to grips with what is most important to her.Written by
Fred Cabral <ftcabral@hotmail.com>
The apostrophe is missing from the caption "At Aunt Emms.". See more »
Quotes
Joy:
Yeah, don't forget to get me some nice sovereigns, gold ones.
Dave:
Oh, I'll try love. You know, not always made to order.
See more »
Alternate Versions
The BBFC website states that the original version had some sex references that were cut before its release in the 1960s. http://www.bbfc.co.uk/education-resources/student-guide/bbfc-history/1960s See more »
In terms of style this film is revolutionary of the time. It could be defined as docudrama since the film is shot in a style of realism. It portrays 1960's London as a poverty stricken bed of prostitution and crime. The main female protagonist seems to always seek male approval. She leaps from one bed to another, loving each of them in much the same way as Diana does in "Darling" 1965. It is hardly an example of feminism and the Radical changes in women's liberation within the 1960's. It does, however, possess a view of hope through all the grit. Dave shows how even a criminal can be loving, gentle and kind. The film offers the audience a 2 hour exploration into the lives of the criminals in London at the time. It challenges the classic Hollywood narrative of peace, disruption and resolution. The narrative structure seems to float along with very little climaxs. This gives the feeling of realism, which many people may find dull or boring. Don't expect your Hollywood Blockbuster. You will find a challenging Independant British film, documenting the feelings of the 1960s in an innovative and unconventional way.
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In terms of style this film is revolutionary of the time. It could be defined as docudrama since the film is shot in a style of realism. It portrays 1960's London as a poverty stricken bed of prostitution and crime. The main female protagonist seems to always seek male approval. She leaps from one bed to another, loving each of them in much the same way as Diana does in "Darling" 1965. It is hardly an example of feminism and the Radical changes in women's liberation within the 1960's. It does, however, possess a view of hope through all the grit. Dave shows how even a criminal can be loving, gentle and kind. The film offers the audience a 2 hour exploration into the lives of the criminals in London at the time. It challenges the classic Hollywood narrative of peace, disruption and resolution. The narrative structure seems to float along with very little climaxs. This gives the feeling of realism, which many people may find dull or boring. Don't expect your Hollywood Blockbuster. You will find a challenging Independant British film, documenting the feelings of the 1960s in an innovative and unconventional way.