Playtime (1967)

Monsieur Hulot curiously wanders around a high-tech Paris, paralleling a trip with a group of American tourists. Meanwhile, a nightclub/restaurant prepares its opening night, but it's still under construction.

Director:

Jacques Tati

Writers:

Jacques Tati (original screenplay), Jacques Lagrange (collaboration)

Stars:

Jacques Tati, Barbara Dennek, Rita Maiden

2 wins.

Cast

Cast overview, first billed only:
Barbara Dennek	...	Barbara, Young Tourist
Jacques Tati	...	Monsieur Hulot
Rita Maiden	...	Mr. Schultz's Companion (as Rita Maïden)
France Rumilly	...	Woman Selling Eyeglasses
France Delahalle	...	Shopper in Department Store
Valérie Camille	...	Mr. Lacs's Secretary
Erika Dentzler	...	Mme. Giffard
Nicole Ray	...	Singer
Yvette Ducreux	...	Hat Check Girl
Nathalie Jem
Jacqueline Lecomte	...	Young Tourist's Friend
Oliva Poli
Alice Field
Sophie Wennek
Evy Cavallaro

Storyline

Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner.

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Plot Keywords:

tourist | maze | restaurant | architecture | complex | 

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Taglines:

An incomparable spectacle.

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Genres:

Comedy

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Certificate:

Not Rated

Details

Country:

France Italy

Language:

French English German

Release Date:

27 June 1973 (USA)

Also Known As:

Play Time

Filming Locations:

Joinville, Haute-Marne, France

Company Credits

Production Co:

Specta Films, Jolly Film

Technical Specs

Runtime:

155 min (with intermission and exit music) 124 min (2002 restored)

Sound Mix:

4-Track Stereo (35 mm prints) 70 mm 6-Track (70 mm prints) DTS 70 mm (70 mm prints) (restored version) Mono (35 mm prints)

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

According to Jacques Tati, the star of the film is the decor.

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Goofs

The escalator handrails aren't moving in the fist department store scene. You can see the actors skimming their hands along, pretending it's moving when you can see by reflections of its surface, it is indeed not.

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Crazy Credits

The title isn't shown until the end of the opening credits. Additionally, there are no end credits. The final shot simply fades out and there is about a minute of exit music.

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Connections

Referenced in Au-delà de 'Play Time' (2002)

User Reviews

Peace in our time: the past and the future embrace

Where 'Mon oncle' was Tati's initial statement on the modern and its collision with the old, here in 'Playtime' he reaches his conclusion. They can unite - there is beauty in the new, as well. Yes, what is new and alienating now, will soon be the old familiar tradition. Everything changes, but the spirit of things remain.

This he manages to show in a series of beautiful scenes, brilliant observations, in a Paris which has been rebuilt to the extent, where the old Frenchman doesn't find his way around it, anymore, and the Eiffel tower can only be found in reflections on shiny glass or steel surfaces of modern buildings.

This is a film language all of its own, and driven to a razor sharp perfection. Through Tati's eyes, we can see exactly what he both worries about and marvels at, and of course we feel the same. The love he does in all his movies show for people, no matter how silly they might be, he also shows the city itself, and its megalomaniac constructions. It's all crazy, he tells us, but isn't it great fun, too? Yes, Jacques, it is, indeed.