Playtime (1967)

Monsieur Hulot curiously wanders around a high-tech Paris, paralleling a trip with a group of American tourists. Meanwhile, a nightclub/restaurant prepares its opening night, but it's still under construction.

Director:

Jacques Tati

Writers:

Jacques Tati (original screenplay), Jacques Lagrange (collaboration)

Stars:

Jacques Tati, Barbara Dennek, Rita Maiden

2 wins.

Cast

Cast overview, first billed only:
Barbara Dennek	...	Barbara, Young Tourist
Jacques Tati	...	Monsieur Hulot
Rita Maiden	...	Mr. Schultz's Companion (as Rita Maïden)
France Rumilly	...	Woman Selling Eyeglasses
France Delahalle	...	Shopper in Department Store
Valérie Camille	...	Mr. Lacs's Secretary
Erika Dentzler	...	Mme. Giffard
Nicole Ray	...	Singer
Yvette Ducreux	...	Hat Check Girl
Nathalie Jem
Jacqueline Lecomte	...	Young Tourist's Friend
Oliva Poli
Alice Field
Sophie Wennek
Evy Cavallaro

Storyline

Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner.

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Plot Keywords:

tourist | conformity | nonconformity | merry go round | traffic circle | 

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Taglines:

A feast for the eyes, mind and heart!

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Genres:

Comedy

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Certificate:

Not Rated

Details

Country:

France Italy

Language:

French English German

Release Date:

27 June 1973 (USA)

Also Known As:

Play Time

Filming Locations:

Joinville, Haute-Marne, France

Company Credits

Production Co:

Specta Films,Jolly Film

Technical Specs

Runtime:

155 min (with intermission and exit music) 124 min (2002 restored)

Sound Mix:

4-Track Stereo (35 mm prints) 70 mm 6-Track (70 mm prints) DTS 70 mm (70 mm prints) (restored version) Mono (35 mm prints)

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list.

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Goofs

The escalator handrails aren't moving in the fist department store scene. You can see the actors skimming their hands along, pretending it's moving when you can see by reflections of its surface, it is indeed not.

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Crazy Credits

The title isn't shown until the end of the opening credits. Additionally, there are no end credits. The final shot simply fades out and there is about a minute of exit music.

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Alternate Versions

First assembled cut ran 155 min. with intermission and exit music. This version was edited down by Tati himself to 124 minutes as a shorter film seemed more lucrative (Tati was in financial trouble because of the non-successful run of and the long shooting of _Play Time (1967)_). It was released on 70 mm with 6-Track sound. In the US the film was released with a running time of 93 min. and 1-Track mono sound. Other versions ran between 108-120 min. and were released on 35 mm with 4-Track Stereo sound (quadraphonic). Over the years the 124 min. version became unavailable as the shorter versions were shown in wider circulation. In 2001 the film was restored and shown in its original 124 min. cut at Cannes Film Festival 2002.

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Connections

Referenced in Dinner Time (2005)

User Reviews

It's Tati's World. We're just living in it.

I comment 2 years after seeing "Playtime" at the Art Institute of Chicago, an event in which the film was presented in its original 70mm format for the first time since its debut. Over the years it had been cropped and recropped for standard prints and video leaving little of the original magic, which is the sheer SCOPE of this visual marvel.

Absolutely amazing sells "Play" short. The picture was so clear and the sequences so thrilling that I dare say this is Tati's Masterpiece. Apparently, he created an entire 1/5th scale city outside Paris and shot over the course of three years to get this honey in the can, and man-o-man, does it show.

This is the kind of film that reminds a viewer just how standardized modern cinematic narrative has become. Tati exists in an alternate plane of recorded consciousness; I walked out of "Play" as if hallucinating, having fully entered his perspective and adopted his suggestions as my own.

This is a film in balance with the nature of cinema itself; if Frank Lloyd Wright was a director, Tati would be his disciple: Tati's cinematic interpretations are in natural proportion to the distinctive elements of film. Visual dominance, sound hyperbarically in support of the image rhythm, help me I'm hallucinating again-thanks Jaques...

Don't miss this one, but don't see it in any other format than a special 70mm screening. Somebody put a screening together!!!