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Le petit baigneur (1968)

Louis-Philippe Fourchaume, another typical lead-role for French comedy superstar Louis de Funès, is the dictatorial CEO of a French company which designs and produces sail yachts, and fires... See full summary »

Director:

Robert Dhéry

Writers:

Claude Clément (collaborator on screenplay), Robert Dhéry (original screenplay) | 4 more credits »
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Cast

Cast overview, first billed only:
Louis de Funès ... Louis-Philippe Fourchaume
Andréa Parisy ... Marie-Béatrice Fourchaume
Franco Fabrizi ... Marcello Cacciaperotti
Michèle Alexandre Michèle Alexandre ... L'épouse du ministre
Nicole Vervil ... La mère du petit Francis
Robert Rollis Robert Rollis ... Un marin
Georges Adet Georges Adet ... Le gardien du chantier
Philippe Dumat Philippe Dumat ... Le joueur de tambour de la fanfare
Gérard Calvi Gérard Calvi ... Le chef de la fanfare
Roger Caccia Roger Caccia ... L'organiste
Hélène Dieudonné ... La garde-barrière
Pierre Tornade Pierre Tornade ... Le gardien de phare
Pierre Dac Pierre Dac ... Le ministre
Henri Génès ... Le paysan (as Henri Genès)
Jacques Legras Jacques Legras ... Henri Castagnier (le curé)
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Storyline

Louis-Philippe Fourchaume, another typical lead-role for French comedy superstar Louis de Funès, is the dictatorial CEO of a French company which designs and produces sail yachts, and fires in yet another tantrum his designer André Castagnier, not realizing that man is his only chance to land a vital contract with the Italian magnate Marcello Cacciaperotti. So he has to find him at his extremely rural birthplace in 'la France profonde', which proves a torturous odyssey for the spoiled rich man; when he does get there his torment is far from over: the country bumpkin refuses to resume his slavish position now the shoe is on the other foot, so Fourchaume is dragged along in the boorish family life, and at times unable to control his temper, which may cost him more credit then he painstakingly builds up... Written by KGF Vissers

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

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Parents Guide:

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Details

Country:

France | Italy

Language:

French | Italian

Release Date:

22 March 1968 (France) See more »

Also Known As:

The Mad Adventures of the Bouncing Beauty See more »

Filming Locations:

Azille, Aude, France See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Robert Dhéry is not credited in the main cast section, but as actor together with his directing credit. See more »

Alternate Versions

West German VHS release (by Atlas Video) was cut by ca. 5 minutes. See more »

Connections

Referenced in Pastewka: Die Strategie der Schnecke (2006) See more »

Soundtracks

La Sardane Au Gros Léon
Written and Performed by Gérard Calvi Et Son Orchestre
See more »

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User Reviews

 
A great surrealistic comedy from the "Golden Age"!
11 December 2011 | by languedoc-586-836028See all my reviews

It took me years and years (and also some of my wife's persistence) to finally appreciate this movie for what it really is: an almost completely absurd, disjointed and surrealistic comedy, owing a lot to Jacques Tati ("Mon Oncle") and perhaps also to some Laurel & Hardy entries. I am thinking here of those Stan Laurel gags which defy logic, cinematographic or otherwise, which style I recognize here in scenes such as the hysterical one where De Funès "air-plays" some violin bit, which logically only the viewer can hear the in-sync sound of in the soundtrack, then accuses his wife of having actually played this music instead of him, since such things run in HER family… I think that viewers who cannot get or appreciate this kind of humor miss the point with this film because it relies a lot on such absurdity. And it is this absurdity which sets it apart uniquely in the De Funès filmography of this specific era.

The direction and editing superbly serve this style of screenplay – see the scene where De Funès destroys his boats in a tantrum and how he interacts with objects which do not appear to be controlled by any off-camera prop men… just by the laws of gravity and the like! The boat chase at the end is also a nice, pleasantly rural/natural relief from the traditional car, plane or chopper chases in some of those other De Funès films, and I love how the gags with the wakes and waves are built and shot!


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