Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and ... See full summary »
In the town of Thiers, summer of 1976, teachers and parents give their children skills, love, and attention. A teacher has his first child, a single mother hopes to meet Mr. Right, another ... See full summary »
Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers... See full summary »
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
After trying to commit suicide, the widow Julie Kohler (Jeanne Moreau) pretends to her mother that she will leave her town. Actually she stays, chases and assassinates the five men that accidentally killed her beloved husband in the stairs of the church immediately after their wedding ceremony.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Carol shows his ticket at the theater, he is told that the performance had started three minutes ago, and is immediately shown to his box. When he gets inside the theater, the performers are in the middle of the second movement of the piece (Beethoven's Cello Sonata #3), implying that they had been playing for at least 10 minutes. See more »
Permit me to make an impossible wish?
Because I'm a rather pessimist.
I've heard it said: "There are no optimists or pessimists. There are only happy idiots or unhappy ones".
Yes, well. I'm an unhappy idiot then.
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Truffaut's homage to Hitchcock deals with a mysterious woman (Jeanne Moreau) who, after a failed suicide, decides to track down and kill the five men responsible for her husband's death on their wedding day. Needless to say, this film was pretty much remade by Quentin Tarantino in the two KILL BILL films but you can see the films influence go even further with various exploitation movies including Jess Franco's SHE KILLED IN ECSTACY as well as the notorious I SPIT ON YOUR GRAVE. I think this film works very well as a homage but doesn't work too good on its own. What I was shocked to find is that there's very little emotion of any kind here. There's really no drama, no one to really care for, no suspense and very little mystery. I'm really not sure what the point of the film was except perhaps for Truffaut to show his appreciation to Hitchcock and try to copy a film like the mystery master would have made. The movie has some very good stuff in it but again, I'm sure it could have been better had a few things been changed. The five murders are pretty much like separate short films and this is something I liked. I like how all five murders appear just like their own movies but this does lead to one of my complaints, which is the running time. It really seemed like the movie was padded with needless scenes and stuff that could have been handled in less time. I found all the murders to be quite fun in their own right and that includes the ending, which really worked even though I've read it was different than what was in the novel. Another major plus is the performance by Moreau who manages to be very believable in the role. I thought she came off perfect as the quiet assassin even though you could look into her eyes and see the pain she's feeling for her dead husband. The supporting players, mainly the five men, are quite good as well, although none of them really stick out as being great. The Bernard Hermann score does a good job at reminding us of his previous work with Hitchcock and there are plenty of nice references to the master's films.
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