The mother of a feudal lord's only heir is kidnapped away from her husband by the lord. The husband and his samurai father must decide whether to accept the unjust decision, or risk death to get her back.
The story takes place in feudal Japan, when any commerce with the rest of the world was strictly prohibited. An idealist suddenly appears in an isolated inn (the one that the title refers ... See full summary »
An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn.
During peace in 1725, aging swordsman Isaburo is living a henpecked life when his clan lord requests that Isaburo's son marry the lord's mistress, with whom he's displeased, even though she's born him a son. Isaburo wants to refuse, but his son Yogoro accepts the woman, Ichi, and they fall deeply in love. Their love renews Isaburo, so when the clan lord's elder son dies and the lord sends for Ichi to return to his side as mother of his heir, Isaburo opposes his lord. Yogoro and Ichi, who now have a baby daughter, stand with him. The clan orders their suicide, then sends soldiers to kill them. Isaburo's only hope is to take his case to Edo to expose the clan's cruelty. Can he?Written by
At 1:13:16 into the Criterion Collection DVD version, when the shot changes to Yogoro (played by Gô Katô)---just as he begins to verbally caution the lord and his retainers (after having delivered the petition)---there is a boom mic bobbing up and down about 10 inches above Gô's head, just on the edge of the frame. Then, in the same shot, as Gô is rising to his feet, the mic can be seen in front of his forehead. The mic then casts a shadow on his forehead just before the shot changes to a closeup of his face. See more »
SAMURAI REBELLION is not one of the best known Japanese films, although it deserves to be. It is very in theme to the masterful HARAKIRI from the same director, and with this film he matches that film's raw emotional power. It's a must for Toshiro Mifune fans.... he delivers one of his finest performances as a jaded elder samurai. He once again gets to share screen time with Tatsuya Nakadai, who has a small but memorable supporting role. The always reliable Toru Takemitsu delivers a fine score made up mostly of Japanese instruments, and Kobayashi's direction is flawless.... this film is filled with memorable set pieces, and it's just the sword fight scenes, although those are pretty incredible too. This is one of about six Kobayashi films available in the west (HARAKIRI, KWAIDAN, and the HUMAN CONDITION trilogy make up the rest)... that's a shame because, based on the quality of these works, he clearly stands among the greats of Japanese cinema.
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