Lena, aged twenty, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with ...
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The same movie with the same characters, cast and crew as I am Curious (Yellow), but with some different scenes and a different political slant. The political focus in Blue is personal ... See full summary »
The first in Stefan Jarl's Mods Trilogy, the film documents the life of two teenagers, Kenta and Stoffe. With interviews from the two boys and their friends about their hedonistic lifestyle... See full summary »
Kenneth 'Kenta' Gustafsson,
Gustav 'Stoffe' Svensson,
Six youth criminals are chosen to participate in a social experiment, named "Guesthouse Objectivity" (Pensionatet Sakligheten), where they are assigned to live together in an apartment ... See full summary »
This musical tragicomedy starring Max von Sydow as The Father, the patriarch of a seemingly nameless family. A factory owner whose workers transform eggs into specialized tools for ... See full summary »
Max von Sydow,
Following his manifesto for a new Swedish cinema, director Widerberg started his career with this realist tale of young woman, Britt, who has two flings, but finds herself with difficult decisions when she finds herself pregnant.
A 15 year old Somalian boy meets a 40 year old Iranian man on a refugee camp in Skåne, in the south of Sweden. With the threat of deportation hanging over them they decide to the take their... See full summary »
Geir Hansteen Jorgensen
In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. ... See full summary »
In the near future, leftist writer Paula goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to ... See full summary »
Lena, aged twenty, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with relationships, political activism, and meditation. Meanwhile, the actors, director and crew are shown in a humorous parallel plot about the making of the film and their reactions to the story and each other. Nudity, explicit sex, and controversial politics kept this film from being shown in the US while its seizure by Customs was appealed.Written by
Molly Malloy <firstname.lastname@example.org>
"gult" ("yellow" in English) in the film's title is in reference to one of the two colors in the Swedish flag. See more »
Do you have to have a religious belief to take part in a non-violent movement?
Martin Luther King:
No, not necessarily.
If you find that a person cannot stand being attacked, what do you do with him? Do you speak to him and explain to him that he cannot be with you any longer?
Martin Luther King:
Well, we always discourage those who cannot be subjected to attack - the one who would retaliate with violence - not to participate in a demonstration. The rules are very rigid in a non-violent movement and we feel that a person who can't ...
[...] See more »
Crew credits occur about an hour into the movie, as they demonstrate yoga poses to Lena. See more »
A home video version has around twenty minutes of politics edited compared to what was seen in the original 35mm. See more »
Fascinating I approached I Am Curious (Yellow) and it's companion piece with great trepidation. I'd read numerous reports on its widely touted controversy and explicit sex. What I got wasn't this, but a thoroughly thought provoking and engaging cinema experience unlike any other. I sincerely believe that the majority of the commenter who felt the film was `lame' or `boring' approached the film as if it were pornography. Perhaps this is pornography, assuming pornography is something intended to titillate the senses, but it is intentionally un-erotic. Lena, the protagonist, throws her all into her performance giving it a realistic and humanity that is simply convincing and enduring. Her breasts may be saggy, her nipples unusually large, her thighs fat, and her face, chubby. But by the end of the film, the audience comes to identify with her, and accept her faults as human. This touch gives her even more believability out necessity. Had the director cast a Briget Bardot bombshell the effect would have been nullified. I cannot more highly recommend this thought provoking piece. Be prepared to invest much thought in this deliberately paced film. The patient and unassuming viewer will be thoroughly rewarded in ways most other films could dream.
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