April 1945: Gregor Hecker, 19 years of age, reaches the outskirts of Berlin as part of the Red Army's scouting team. Having fled Germany with his family when he was eight, he is confronted ...
See full summary »
Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and ... See full summary »
Set along the southern coast of Vietnam during the French occupation in the 1940s, water is everywhere, giving life and bringing decay and rot. Kim is 15; his father and step-mother have ... See full summary »
The Lu Le,
Thi Kieu Trinh Nguyen,
Huu Thanh Nguyen
In this disturbing family drama, a prosperous middle-aged farmer takes up gambling and whoring at the expense of his devoted second wife. Meanwhile, his son the pervert becomes fascinated ... See full summary »
In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi cab driver to take a risky journey around the scarred region in search of her sister and her son.
Nada Abou Farhat,
The Rabbit Is Me was made in 1965 to encourage discussion of the democratization of East German society. In it, a young student has an affair with a judge who once sentenced her brother for... See full summary »
Sunny is the singer of band trying to establish itself in the music-scene of East-Berlin. They play regular gigs in small towns, but Sunny feels out of touch with the audience and her life ... See full summary »
Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce ... See full summary »
April 1945: Gregor Hecker, 19 years of age, reaches the outskirts of Berlin as part of the Red Army's scouting team. Having fled Germany with his family when he was eight, he is confronted with the dilemma of having to fight men from the very country he was born in. Through dealing with challenging situations (e.g. he is appointed commander of Bernau, talks to many disillusioned Germans, and is once and again attacked by scattered groups of German soldiers), he grows more confident that not all hope is lost for post-war Germany. Based on the diary entries of director Konrad Wolf, the episodic movie authentically portrays the protagonist's struggle to come to terms with his own past and identity.Written by
Soviet/East German propaganda, sugar coating history
I rented this film because of an interest in German culture and history. I lived there for a while, and have a (former East-) German wife and relatives. My wife, who was 11 in 1945 when this film takes place, says that it was much worse then than the movie shows, particularly with regard to the utter devastation, starvation, and behavior of the Russian soldiers. Few women between ages of 13 and 50 escaped being raped, and most boys of her age and a bit older were taken away and never seen again. After reunification, the mass graves of many of them, killed by Russians, have been found. Her father, who was never a soldier or Nazi, was shipped off to slave labor in Kazakhstan for about ten years. In the movie, it is implied that the surrendering German soldiers were rewarded with extra food, and then sent home. Get real.
The intent of the movie, made in the GDR at a time when they were barraged with propaganda trying to make them believe that Russians were their friends, is obvious.
Nevertheless, I did enjoy watching it, because even propaganda can be interesting for what it is. (Example: Triumph of the Will, which is infinitely better than this movie). The events involving the surrender of Spandau prison to the 19 year old Russian "commandant", which may have been based on fact and the director's own experience, were of particular interest, and well dramatized.
13 of 25 people found this review helpful.
Was this review helpful to you?
| Report this