April 1945: Gregor Hecker, 19 years of age, reaches the outskirts of Berlin as part of the Red Army's scouting team. Having fled Germany with his family when he was eight, he is confronted ...
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Sunny is the singer of band trying to establish itself in the music-scene of East-Berlin. They play regular gigs in small towns, but Sunny feels out of touch with the audience and her life ... See full summary »
As a painter in the court of King Carlos IV, Goya - played by the great Lithuanian actor Donatas Banionis (The Red Tent, Solaris) - has attained wealth and reputation. He believes in King ... See full summary »
Professor Hans Mamlock is the distinguished chief of surgery in a university hospital. The year is 1933, and although the Professor is Jewish, he remains unconcerned with politics and the ... See full summary »
After a breakdown, Rita returns to her childhood village. It is 1961. As she recovers, she remembers the past two years: her love for the chemist Manfred, ten years her senior; his ... See full summary »
The only feature film by the painter and documentary filmmaker, Juergen Boettcher. Inspired by the Italian neo-realists, he developed a sensitive style characterized by accurate social ... See full summary »
Four young Germans in a Soviet POW camp decide to join the Red Army to hasten the end of the war. Their new identities elicit different reactions from Germans and Russians, and are ... See full summary »
April 1945: Gregor Hecker, 19 years of age, reaches the outskirts of Berlin as part of the Red Army's scouting team. Having fled Germany with his family when he was eight, he is confronted with the dilemma of having to fight men from the very country he was born in. Through dealing with challenging situations (e.g. he is appointed commander of Bernau, talks to many disillusioned Germans, and is once and again attacked by scattered groups of German soldiers), he grows more confident that not all hope is lost for post-war Germany. Based on the diary entries of director Konrad Wolf, the episodic movie authentically portrays the protagonist's struggle to come to terms with his own past and identity.Written by
Originally, Konrad Wolf had planned to elaborate more on the Soviet's abuse of German women. In the final script, only a small hint at this problem was included: a woman seeking safety in Greogor's commanding headquarters reasons "rather with one of them than with all of them." Considering the strong censorship common to the GDR in those days, this was nevertheless a bold and effective decision by Wolf. See more »
The main problem with Ich war 19 is that glosses over several essential realities. It seems like a Soviet propaganda movie trying to white wash the past. The invasion of Germany by Soviet troops in 1944/5 was nothing short of barbaric. 18 million people were driven from their ancestral lands - over 2 million civilians were brutally murdered. More than a million POW's were liquidated and another 2 million Ukrainians, Poles and White Russians of German descent were also exterminated by the Soviets.
The landscape was almost completely destroyed by allied bombing and soviet artillery. 80% of the buildings were destroyed. Women (and boys) were frequently raped on the spot. The boys were lucky - they were invariably bayoneted after-wards - but the women were passed to next comrade. Of course we can argue that this was justified because of the Holocaust and the German barbarism in Russia and Poland. But women and children?
The film does not even suggest this was happening. It represents the war as a sort of part time activity in which a few unlucky people got killed. The buildings are all intact. The people all look well fed. The faces look completely undramatized. It doesn't bring home the reality of truth.
1945 was truly horrific for everyone between Berlin and Konigsberg (Kaliningrad)It is an indelible scar on the memory of everyone old enough to remember it. This film does not convey that horror.
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