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Hombre (1967)

Approved | | Western | 21 March 1967 (USA)
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John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.

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(screenplay), (screenplay) | 1 more credit »
3 nominations. See more awards »

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Cast

Complete credited cast:
... John Russell
... Favor
... Grimes
... Jessie
... Braden
... Audra Favor
Peter Lazer ... Billy Lee
... Doris
... Henry Mendez
... Steve Early
... Mexican Bandit
... Lamar Dean
... Delgado
... Soldier
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Storyline

John 'Hombre' Russell is a white man raised by the Apaches on an Indian reservation and later by a white man in town. As an adult he prefers to live on the reservation. He is informed that he has inherited a lodging-house in the town. He goes to the town and decides to trade the place for a herd. He has to go to another city. The only stagecoach is one being hired for a special trip paid by Faver and his wife Audra. As there are several seats others join the stagecoach making seven very different passengers in all. During the journey they are robbed. With the leadership of John Russell they escape with little water and the money that the bandits want. They are pursued by the bandits. As they try to evade the bandits they reveal their true nature in a life threatening situation. Written by Claudio Carvalho, Rio de Janeiro, Brazil and Bill G. Walsall England

Plot Summary | Plot Synopsis

Taglines:

Hombre means MAN... Paul Newman is HOMBRE!

Genres:

Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 March 1967 (USA)  »

Also Known As:

Man nannte ihn Hombre  »

Filming Locations:

 »

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Box Office

Budget:

$5,860,000 (estimated)

Gross USA:

$12,400,000, 31 December 1967
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The photo in the closing credits of the film was taken in 1886 by Camillus Fly, the famous Tombstone (AZ) photographer. The white boy in the photo is Jimmy (Santiago) McKinn, captured by the Apaches in 1885. Like the Paul Newman character in the film, McKinn was totally assimilated in the tribe and was rescued against his will when Geronimo surrendered in 1886. See more »

Goofs

All the men's trousers had belt loops, which wouldn't begin being used until the 1920s. See more »

Quotes

Henry Mendez: Hombre, which name today, which do you want?
John Russell: Anything but bastard will do.
See more »

Connections

Referenced in The Hateful Eight (2015) See more »

Frequently Asked Questions

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User Reviews

 
"Cause I Can Cut It."
11 July 2006 | by See all my reviews

Paul Newman did a whole bunch of films with Director Martin Ritt and Hombre, one lean and mean western ranks as one of the best.

Newman is John Russell, the ultimate in the Stockholm Syndrome in the western film. He's a man who was kidnapped by the Apaches as a child, raised among them, and then when he was rescued from the Apaches, turned his back on his rescuers and went back to live among them. The opening of the film has some closeup shots of Newman as an Apache and he does look like a figure of interest with those baby blue eyes of his. The viewer is already involved, this is a person of interest, there's a story here, let's find out about him.

Circumstance has put him on a coach with several other passengers, including the Indian agent at the San Carlos Reservation, Fredric March and his wife Barbara Rush. Unbeknownst to everyone else, March has embezzled a whole stash of money from the tribe and is on the run, like Berton Churchill in Stagecoach. Of course Churchill is not taking his young pretty wife along with him.

The outlaws led by Richard Boone know about the loot and they ambush the coach, but the holdup is unsuccessful. Nevertheless the passengers are left afoot with the loot, but limited water on the Arizona desert.

It falls to Newman to lead them to safety, a guy they had previously snubbed. Hombre gets deliciously ironic that way.

Next to Newman, I'd say the best performance in the film is easily that of Diane Cilento, the very wise and earthy boarding house keeper. She's one experienced with life woman who if everyone heeded it would have been better all around.

Why are they with Newman, cause he can cut it. And as a film, Hombre definitely cuts it.


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