Nun Sara (Shirley MacLaine) is on the run in Mexico and is saved from cowboys by Hogan (Clint Eastwood), who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
San Francisco Inspector "Dirty" Harry Callahan (Clint Eastwood) must foil a terrorist organization made up of disgruntled Vietnam veterans. But this time, he's teamed with female partner Inspector Kate Moore (Tyne Daly), with whom he's not too excited to be working.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
A band of vigilantes catch Jed Cooper (Clint Eastwood) and, incorrectly believing him guilty of cattle rustling and murder, hang him, and leave him for dead. But he doesn't die. He returns to his former profession of lawman to hunt down his lynchers and bring them to justice.Written by
John Oswalt <firstname.lastname@example.org>
First of three theatrical movies that Pat Hingle made with Clint Eastwood. The others being The Gauntlet (1977) and Sudden Impact (1983). Each movie was made in a different decade, one in the 60s, one in the 70s and one in the 80s. The pair also collaborated on the television episode, Rawhide (1959) season seven, episode fourteen, "The Book". This movie and Sudden Impact (1983) featured Eastwood as a tough guy lawman who borderlines on vigilantism and Hingle as his superior who has a heavy disdain for the way he does things. See more »
During the opening credits, the camera is on the ground looking straight up at the bottom of Jed's boots after he has been hanged. His body is rotating in a clockwise direction when it suddenly begins to move in a counter-clockwise direction. The film has been reversed at this point. If his body naturally changed direction, it would have slowed to a stop first. See more »
As with many westerns at the time the UK cinema version was cut by the BBFC to reduce facial closeups during the opening lynching and to edit Cooper's fight with Miller. Later video/DVD releases were intact. See more »
Shall We Gather at the River?
By Robert Lowry
Sung by crowd before mass hanging See more »
We all have our ghosts, Marshal.
Hang 'Em High is directed by ted Post and written by Leonard Freeman and Mel Goldberg. It stars Clint Eastwood, Inger Stevens, Pat Hingle, Ed Begley, Ben Johnson, Charles McGraw, Ruth White and Bruce Dern. Music is by Dominic Frontiere and cinematography is shared by Richard H. Kline and Leonard J. South.
An innocent man survives a lynching and returns as a lawman and sets about bringing the vigilantes to justice.
After making a name in Leone's Dollars Trilogy, Eastwood returned to America and began cementing his name in the genre of film that would come to define him. Though very much an American Western, this does have Spaghetti Western tonal splinters. Story is derivative and safe, however the characterisations are not and are pungent enough to warrant viewing investment.
Unfortunately director Ted Post often lets the pace sag to unbearable levels - especially in the last third of film, it's a shame that the mooted Robert Aldrich didn't get the gig. There simply is not enough on the page to sustain the near two hour running time, with the finale proving to be a rather flat experience. The liberal stance on the death penalty is a touch heavy handed, but not so as to kill the picture since the thought process of the complexities of justice holds high interest values. Then of course there is Eastwood to lure one in.
He's not the best actor in the film, though the amorality of character he plays makes him the fascinating centre piece. Hingle steals the acting honours as the stoically forthright Judge Fenton, while Stevens also shines as Rachael Warren, a character who like Eastwood's Jed Cooper has an obsessional motive for capturing criminals in her heart. All told the perfs across the board are pitched right and good value.
I'm not sure if the fact two cinematographers were used was a job for mates scenario? Whatever though, for there's nice work here, the New Mexico locations pleasing and at the same time mood compliant for the harsher edges of the story. Frontiers's music is interesting, full of ebullience - sometimes overbearing, it strangely at times sounds familiar to some of Herrmann's compositions in the fantasy genre...
Hang 'Em High is an important entry in the Western genre library, though neither great or bad, it's still a must see for genre enthusiasts. 7/10
5 of 5 people found this review helpful.
Was this review helpful to you?
| Report this