Guess Who's Coming to Dinner (1967)
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- Approved
- 1h 48min
- Comedy, Drama
- 12 Dec 1967 (USA)
- Movie
- Won 2 Oscars. Another 9 wins & 25 nominations.
- See more »
Photos and Videos
Cast verified as complete
Spencer Tracy | ... |
Matt Drayton
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Sidney Poitier | ... |
John Prentice
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Katharine Hepburn | ... |
Christina Drayton
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Katharine Houghton | ... |
Joey Drayton
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Cecil Kellaway | ... |
Monsignor Ryan
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Beah Richards | ... |
Mrs. Prentice
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Roy Glenn | ... |
Mr. Prentice
(as Roy E. Glenn Sr.)
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Isabel Sanford | ... |
Tillie
(as Isabell Sanford)
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Virginia Christine | ... |
Hilary St. George
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Alexandra Hay | ... |
Carhop
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Barbara Randolph | ... |
Dorothy
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D'Urville Martin | ... |
Frankie
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Tom Heaton | ... |
Peter
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Grace Gaynor | ... |
Judith
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Skip Martin | ... |
Delivery Boy
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John Hudkins | ... |
Cab Driver
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Rest of cast listed alphabetically: | |||
Garrett Cassell | ... |
Mailman (uncredited)
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Natalie Core | ... |
Small Role (uncredited)
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Jacqueline Fontaine | ... |
Singer (uncredited)
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Timothy Scott | ... |
Small Role (uncredited)
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Yuki Tani | ... |
Japanese Waitress (uncredited)
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June Whitley Taylor | ... |
Edie (uncredited) (voice)
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Directed by
Stanley Kramer |
Written by
William Rose | ... | (written by) |
Produced by
Georges Glass | ... | associate producer |
Stanley Kramer | ... | producer |
Music by
Frank De Vol | ... | (as De Vol) |
Cinematography by
Sam Leavitt | ... | director of photography |
Editing by
Robert C. Jones |
Editorial Department
Tony Friedman | ... | assistant editor (uncredited) |
Production Design by
Robert Clatworthy |
Set Decoration by
Frank Tuttle |
Makeup Department
Joe DiBella | ... | makeup artist (as Joseph Di Bella) |
Helen Hunt | ... | hair stylist |
Ben Lane | ... | makeup artist |
Production Management
Ivan Volkman | ... | production supervisor |
Second Unit Director or Assistant Director
Ray Gosnell Jr. | ... | assistant director (as Ray Gosnell) |
Leonard Kunody | ... | assistant director (uncredited) |
Art Department
Robert Harold Branham | ... | storyboard artist (as Robert Branham) |
Richard Lawrence | ... | uncredited |
Clarence Peet | ... | property master |
Jim Bochman | ... | set designer (uncredited) |
Will Ferrell | ... | scenic artist (uncredited) |
Gabe Resh | ... | set designer (uncredited) |
Sound Department
Robert Martin | ... | sound |
Clem Portman | ... | re-recording |
Charles J. Rice | ... | sound |
James F. Rogers | ... | boom operator (uncredited) |
Special Effects by
Geza Gaspar | ... | special effects |
Visual Effects by
Lawrence W. Butler | ... | process photography (as Larry Butler) |
Stunts
John Hudkins | ... | stunt double Spencer Tracy (uncredited) |
Camera and Electrical Department
Les Everson | ... | chief electrician |
William Gossman | ... | camera operator |
Martin Kashuk | ... | company grip (as Marty Kashuk) |
Doug J. Campbell | ... | company grip (uncredited) |
Ron Cooney | ... | grip (uncredited) |
Darryl Kenzel | ... | assistant camera (uncredited) |
John Monte | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Joe King | ... | costumes |
Jean Louis | ... | wardrobe supervisor |
Edna Taylor | ... | wardrobe: women (uncredited) |
Music Department
Frank De Vol | ... | conductor (uncredited) / music arranger (uncredited) |
Mike Deasy | ... | musician (uncredited) |
Carol Kaye | ... | musician: bass (uncredited) |
Albert Woodbury | ... | orchestrator (uncredited) |
Script and Continuity Department
Marshall Schlom | ... | script supervisor |
Additional Crew
Leah Bernstein | ... | executive secretary to producer (uncredited) |
Wayne Fitzgerald | ... | title designer (uncredited) |
Production Companies
- Columbia Pictures (presents)
- Stanley Kramer Productions
Distributors
- Columbia Pictures (1967) (United States) (theatrical) (as Columbia)
- Columbia Films S. A. (1968) (Mexico) (theatrical)
- Columbia Pictures Corporation (1968) (United Kingdom) (theatrical)
- Columbia Film (1968) (Sweden) (theatrical)
- Columbia International Films (1968) (Netherlands) (theatrical)
- Columbia-Bavaria Filmgesellschaft m.b.H. (1968) (West Germany) (theatrical)
- Kamera (1968) (Norway) (theatrical)
- CBS (1971) (United States) (tv) (original airing)
- Columbia Film-Verleih (1973) (Austria) (theatrical)
- Columbia Pictures (1973) (Portugal) (theatrical)
- RCA/Columbia Pictures Home Video (1985) (United States) (VHS) (Betamax)
- RCA/Columbia Pictures Home Video (1986) (United States) (VHS)
- RCA/Columbia Pictures Home Video (1987) (United States) (VHS) (pan and scan)
- Columbia TriStar Home Video (1993) (United States) (VHS)
- Columbia TriStar Home Video (1995) (United States) (VHS)
- Columbia TriStar Home Video (1998) (United States) (DVD)
- Columbia TriStar Home Video (1998) (United States) (VHS)
- Columbia TriStar Home Video (1999) (United States) (DVD) (widescreen)
- Columbia TriStar Home Video (1999) (United States) (VHS)
- Sony Pictures Home Entertainment (2005) (United States) (DVD)
- Sony Pictures Home Entertainment (2007) (United States) (DVD)
- Sony Pictures Home Entertainment (2008) (United States) (DVD) (widescreen) (40th Anniversary Edition)
- Twilight Time (2015) (United States) (video)
- Fathom Events (2017) (United States) (theatrical) (re-release)
- Seven Films (2012) (Greece) (theatrical) (re-release)
- ARTE (2008) (France) (tv)
- ARTE (2022) (France) (tv)
- Antenne 2 (A2) (1977) (France) (tv) (dubbed version)
- BBC Two (2016) (United Kingdom) (tv)
- Columbia TriStar Home Entertainment (1999) (Canada) (DVD)
- Columbia TriStar Home Entertainment (1999) (Germany) (VHS)
- Columbia TriStar Home Entertainment (2004) (Spain) (DVD)
- Columbia TriStar Home Entertainment (2001) (United Kingdom) (DVD)
- Columbia TriStar Home Entertainment (1999) (United States) (DVD)
- Columbia TriStar Home Video (1994) (Australia) (VHS)
- Columbia TriStar Home Video (Brazil) (DVD)
- Gaumont-Columbia-RCA (GCR) (1989) (France) (VHS)
- Gaumont/Columbia TriStar Home Video (1995) (France) (VHS) (dubbed version)
- LCP Assemblée nationale (2015) (France) (tv)
- LK-TEL Vídeo (Brazil) (VHS)
- Powerhouse Films (2016) (United Kingdom) (Blu-ray) (Limited Edition)
- RCA/Columbia Pictures International Video (1982) (West Germany) (VHS)
- RCA/Columbia-Hoyts Home Video (1980) (Australia) (video)
- RCA/Columbia-Hoyts Home Video (1985) (Australia) (video)
- Rai 2 (1985) (Italy) (tv)
- Shock DVD (2019) (Australia) (Blu-ray) (DVD)
- Shock Entertainment (2019) (Australia) (Blu-ray) (DVD)
- Shock (2011) (Australia) (Blu-ray) (DVD)
- Sony Pictures España (2012) (Spain) (DVD)
- Sony Pictures Home Entertainment (2005) (Australia) (DVD)
- Sony Pictures Home Entertainment (2007) (Australia) (DVD)
- Sony Pictures Home Entertainment (2008) (Australia) (DVD)
- Sony Pictures Home Entertainment (2016) (France) (Blu-ray)
- Sony Pictures Home Entertainment (2017) (France) (tv)
- Sony Pictures Home Entertainment (2002) (Germany) (DVD)
- Sony Pictures Home Entertainment (2004) (Canada) (DVD)
- Sony Pictures Home Entertainment (2004) (United States) (DVD)
- The Criterion Channel (2020) (United States) (tv) (digital)
- Universal Sony Pictures Home Entertainment Nordic (2013) (Norway) (Blu-ray) (DVD)
- Universal Sony Pictures Home Entertainment Nordic (2013) (Sweden) (Blu-ray) (DVD)
Special Effects
Other Companies
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of: affiliated with A.F.L.- C.I.O.)
Storyline
Plot Summary |
After a vacation in Hawaii, Joanna "Joey" Drayton returns to her parents' home in San Francisco bringing her fiancé, the highly-qualified Dr. John Prentice, to introduce him to her parents. Her mother, Christina Drayton, owns an art gallery and her father, Matt Drayton, is the publisher-editor of the newspaper, The Guardian. Joey was raised with a liberal education and intends to marry Dr. John Prentice, a Black widower who needs to fly to Geneva that evening to work with the World Health Organization. Joey invites John's parents to have dinner with her family and the couple flies from Los Angeles to San Francisco without knowing that Joey is white. Christina also invites the liberal Monsignor Ryan, who is a friend of her family. Throughout the day and evening, the families discuss the problems of their son and daughter. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
Plot Keywords | |
Taglines | a love story of today See more » |
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Parents Guide | View content advisory » |
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Box Office
Budget | $4,000,000 (estimated) |
Did You Know?
Trivia | In the scene near the end where Spencer Tracy gives his memorable soliloquy, Katharine Hepburn can be seen crying in the background. This was not acting: she knew how gravely ill her longtime friend and lover was and was moved by his remarks about how true love endures through the years. See more » |
Goofs | The car the Draytons are driving is a two-door sedan (with a pillar holding the roof up, and a full frame around the door glass) when seen in exterior shots. Once they're at the drive-in, it becomes a two-door hardtop (no pillar, and no frame around the glass). See more » |
Movie Connections | Edited into Starring Katharine Hepburn (1981). See more » |
Soundtracks | Glory of Love See more » |
Quotes |
John:
You listen to me. You say you don't want to tell me how to live my life. So what do you think you've been doing? You tell me what rights I've got or haven't got, and what I owe to you for what you've done for me. Let me tell you something. I owe you nothing! If you carried that bag a million miles, you did what you're supposed to do! Because you brought me into this world. And from that day you owed me everything you could ever do for me like I will owe my son if I ever have another. But you don't own me! You can't tell me when or where I'm out of line, or try to get me to live my life according to your rules. You don't even know what I am, Dad, you don't know who I am. You don't know how I feel, what I think. And if I tried to explain it the rest of your life you will never understand. You are 30 years older than I am. You and your whole lousy generation believes the way it was for you is the way it's got to be. And not until your whole generation has lain down and died will the dead weight of you be off our backs! You understand, you've got to get off my back! Dad... Dad, you're my father. I'm your son. I love you. I always have and I always will. But you think of yourself as a colored man. I think of myself as a man. Now, I've got a decision to make, hm? And I've got to make it alone, and I gotta make it in a hurry. So would you go out there and see after my mother? See more » |