Guess Who's Coming to Dinner (1967)

A couple's attitudes are challenged when their daughter introduces them to her African American fiancé.

Director:

Stanley Kramer

Writer:

William Rose

Stars:

Spencer Tracy, Sidney Poitier, Katharine Hepburn

Won 2 Oscars. Another 9 wins & 22 nominations.

Cast

Cast overview, first billed only:
Spencer Tracy	...	Matt Drayton
Sidney Poitier	...	John Prentice
Katharine Hepburn	...	Christina Drayton
Katharine Houghton	...	Joey Drayton
Cecil Kellaway	...	Monsignor Ryan
Beah Richards	...	Mrs. Prentice
Roy Glenn	...	Mr. Prentice (as Roy E. Glenn Sr.)
Isabel Sanford	...	Tillie (as Isabell Sanford)
Virginia Christine	...	Hilary St. George
Alexandra Hay	...	Carhop
Barbara Randolph	...	Dorothy
D'Urville Martin	...	Frankie
Tom Heaton	...	Peter
Grace Gaynor	...	Judith
Skip Martin	...	Delivery Boy

Storyline

After a period of vacation in Hawaii, Joanna "Joey" Drayton returns to her parents' home in San Francisco bringing her fiancé, the high-qualified Dr. John Prentice, to introduce him to her mother Christina Drayton that owns an art gallery and her father Matt Drayton that is the publisher editor of the newspaper The Guardian. Joey was raised with a liberal education and intends to get married with Dr. John Prentice that is a black widower and needs to fly on that night to Geneva to work with the World Health Organization. Joey invites John's parents Mr. Prentice and Mrs. Prentice to have dinner with her family and the couple flies from Los Angeles to San Francisco without knowing that Joey is white. Christina invites also the liberal Monsignor Ryan, who is friend of her family. Along the day and night, the families discuss the problems of their son and daughter.

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Plot Keywords:

miscegenation | interracial relationship | social commentary | doctor | racism | 

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Taglines:

a love story of today

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Genres:

Comedy | Drama

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Certificate:

Not Rated

Details

Official Sites:

Sony Movie Channel [United States]

Country:

USA

Language:

English

Release Date:

12 December 1967 (USA)

Also Known As:

Rat mal, wer zum Essen kommt

Filming Locations:

Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Angeles, California, USA

Box Office

Budget:

$4,000,000 (estimated)

Gross USA:

$56,700,000

Cumulative Worldwide Gross:

$70,000,000, 31 January 1970

Company Credits

Production Co:

Columbia Pictures Corporation

Technical Specs

Runtime:

108 min

Sound Mix:

Mono

Color:

Color (Technicolor) (as Technicolor®)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Named by Kathleen Turner as her favorite all-time film in an AFI poll.

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Goofs

The way Poitier hold/talks on the phone with his father, inviting him to dinner is inconsistent between shots.

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Quotes

[first lines]
John: You know, I just had a thought. Why don't I go check into a hotel and get some rest, and you go find your folks?

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Connections

Featured in Ebert Presents: At the Movies: Episode #2.21 (2011)

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Soundtracks

Glory of Love
(1936)
by Billy Hill
Sung by Jacqueline Fontaine at the restaurant
Sung offscreen by a chorus during opening and closing credits
Played in the score often

User Reviews

Liberal Angst over Interractial Relationship in the 1960s

Guess Who's Coming to Dinner takes place during the course of one day as two families struggle to overcome their concerns about the interracial marriage of their children. This film is a treat for the eyes with lovely sets and beautiful people. It also has a nice 1960's feel that is reinforced by sophisticated wardrobing and an "easy listening" soundtrack--featuring The Glory of Love as the signature tune. The film relies very heavily on the use of dialog and reflects the elegance of a time when people were entertained by stimulating conversation. The San Francisco backdrop also is the perfect setting for a movie that challenged racial convention.

But there are a few serious flaws. This is an introductory role for Katharine Houghton (Hepburn's niece) who plays Sidney Portier's fiancé--Johanna Drayton. Her inexperience is apparent, particularly in comparison to heavyweights Portier, Tracy and Hepburn and as a result, she is unconvincing in the part. Moreover, her character is not well-written or well-developed which makes it difficult to understand why Sidney Portier's character--John Prentice-would fall in love with a woman who appears to have so little to offer intellectually --given his significant professional achievements as a doctor. One also must ask why it was necessary for his character to be cast as a doctor in order to be seen as an acceptable partner for a young white woman who had not really accomplished anything accept being born into a privileged family. The answer is simple. Making Prentice a doctor-and not just any doctor-but a world renowned expert in tropical medicine, made the interracial relationship more acceptable to white audiences during the 1960s.

The other cast members are outstanding and the on-screen chemistry phenomenal. Katharine Hepburn (Christina Drayton) and Spencer Tracy (Newspaper Publisher Matt Drayton) deliver brilliant performances as Johanna's parents. John Prentice's modest working class parents are played with great dignity by Beah Richards and Roy E. Glen. Mrs. Prentice and Mrs. Drayton favor the marriage and both characters provide passionate, articulate arguments as to why their husbands should agree. But their husbands voice serious objections and the families spend the evening in intense discussions over the issue, accurately reflecting the racial fears that existed 40 years ago. Prentice's father reminds him that in many states interracial marriage is illegal and that he is "getting out of line." There are also a number of very memorable and funny lines. In the scene in which Matt Drayton wonders why "the colored kids dance better than the white kids", Portier's response is classic--"you dance the Watusi, but we are the Watusi!"(For readers under 40, the Watusi was a popular dance in the 1960s and also an African tribe). Cecil Kelloway, who plays friend of the family, Monsignor Ryan, deftly brings a sense of humor and moral guidance that is effective because it is not "preachy". He challenges Matt Drayton's liberal credentials and suggests that Drayton's misgivings about his daughter marrying a black man reveal his hypocrisy. Isabel Sanford ("Weezy from The Jeffersons TV program) plays the feisty maid of the Draytons.

It's been said that in the final scene Tracy--who was very ill at the time and who died shortly after the movie was completed--delivered one of the longest soliloquies in American film history, in only one take. Katherine Helpurn was clearly so moved by the scene that it's hard to believe that she is just acting as her eyes brim with tears.

Although the some of the sentiments are dated, this film is highly entertaining, and provides a rare opportunity to experience outstanding performances from six gifted actors who bring compassion and depth to Stanley Kramer's film. Its' angst relative to interracial marriage also reminds us of how far we have not come.