Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heels. Their solution - escape to Bolivia.
George Roy Hill
Ben has recently graduated from college, with his parents now expecting great things from him. At his "Homecoming" party, Mrs. Robinson, the wife of his father's business partner, has Ben drive her home, which leads to an affair between the two. The affair eventually ends, but comes back to haunt him when he finds himself falling for Elaine, Mrs. Robinson's daughter.Written by
The film takes a different visual approach before and after Ben falls in love with Elaine. According to Mike Nichols, the first part is meant to have a cold, glassy, plastic look, while the romantic scenes were done with long lenses and diffused shots (although he later noted it was time to retire that pictorial style for good). See more »
On Benjamin's driving trips from Berkeley to LA, he goes through a tunnel. This tunnel, north of Santa Barbara, is actually a northbound tunnel. There is no southbound tunnel, contrary to the scenes in the movie. See more »
Ladies and gentlemen, we are about to begin our descent into Los Angeles. The sound you just heard is the landing gear locking into place. Los Angeles weather is clear; temperature is 72. We expect to make our 4 hour and 18 minute flight on schedule. We have enjoyed having you on board, and look forward to seeing you again in the near future.
See more »
A change from the theatrical re-release for the 25th anniversary and the video release. In the first Taft Hotel bedroom scene, a nervous Ben asks Mrs. Robinson if she would like "Wood or wire [hanger]?" In the theater, her response was, "wood." Which led to the wonderful pratfall of Ben trying to take the wood one, which wouldn't come off. But it was changed in the 25th anniversary video release and her response was, "Either one would be fine." See more »
I saw this film for the first time in September 1968, after working for just one year as a professional cinematographer. I rapidly saw it five more times, in order to observe technical details of the photography of the film, but every time I completely forgot to look at those details, since I became so absorbed by the film every time. Now, after more than 35 years as a cinematographer and film teacher, I still marvel at Mike Nichols' and Robert Surtees' work every time I see the film. Almost everything you can do with a camera can be seen in this film, and everything is perfectly right for the story. The Graduate is groundbreaking in more areas than the photography. The casting, writing, acting, picture and sound editing are all exceptionally good, and have influenced film-making ever since. I was very happy when I saw that The Graduate reached the 7th position in the American Film Institute's voting of the best American films in history.
68 of 87 people found this review helpful.
Was this review helpful to you?
| Report this