A scruffy garbage boy becomes the pupil of a famed gunfighter, and the stage for confrontation is set when the gunman overruns the boy's town through violence and corruption.A scruffy garbage boy becomes the pupil of a famed gunfighter, and the stage for confrontation is set when the gunman overruns the boy's town through violence and corruption.A scruffy garbage boy becomes the pupil of a famed gunfighter, and the stage for confrontation is set when the gunman overruns the boy's town through violence and corruption.
José Calvo
- Blind Bill
- (as Pepe Calvo)
Karl-Otto Alberty
- Blonde Deputy with Harmonica
- (as Hans Otto Alberty)
Nazzareno Natale
- Wild Jack's Henchman
- (as Natale Nazareno)
Featured reviews
I've been trawling through the spaghetti western back catalogue lately, and it seems I've missed quite a few hidden gems. Day of Anger is one of them. Tonino Valleni's western is more American in its approach, although the staples of the spaghetti genre are still here. Close ups, violence (altough not as glorifying as you'd expect from your typical spag), a languid jazzy score by Riz Ortolani (a departure from the typical operatic Morricone scores), and great performances by Lee Van Cleef and Giulliano Gemma.
Giulliano Gemma is Scott, the garbage boy for the quite peaceful town of Clifton, a town where the sheriff wanders about without his gun and residents are surprised to hear the sound of gunshots. Scott is constantly pushed around and ridiculed, until gunslinger extraordinaire Talby strides into town. Van Cleef is typically superb as Talby, who takes Scott under his wing and teaches him the art of gunslinging by laying out the 9 rules of the gunfigher. Talby and Scott will come back into Clifton to get the 50,000$ a crook called Wild Jack owed him. Wild Jack was sold short by Clifton's higher class citizens, so Talby will have to get the money back in his own way.
The story follows both Talby's gradual usurping of the city and Scott's progress from a green boy to a man who stands his ground. The interaction between old experienced gunslinger and enthusiastic apprentice is executed very well. All in all a solid, if a little predictable, spaghetti western, that eschews the conventions of your typical spag for characterization. It's well worth tracking down in its uncut 109 minutes version. It's a shame that quite a few spags were lost amidst the truckloads of similar flicks churned out by the Italian studios in the genre's hayday. This is among the best. And it's one, even the American horse opera fans, will love.
Giulliano Gemma is Scott, the garbage boy for the quite peaceful town of Clifton, a town where the sheriff wanders about without his gun and residents are surprised to hear the sound of gunshots. Scott is constantly pushed around and ridiculed, until gunslinger extraordinaire Talby strides into town. Van Cleef is typically superb as Talby, who takes Scott under his wing and teaches him the art of gunslinging by laying out the 9 rules of the gunfigher. Talby and Scott will come back into Clifton to get the 50,000$ a crook called Wild Jack owed him. Wild Jack was sold short by Clifton's higher class citizens, so Talby will have to get the money back in his own way.
The story follows both Talby's gradual usurping of the city and Scott's progress from a green boy to a man who stands his ground. The interaction between old experienced gunslinger and enthusiastic apprentice is executed very well. All in all a solid, if a little predictable, spaghetti western, that eschews the conventions of your typical spag for characterization. It's well worth tracking down in its uncut 109 minutes version. It's a shame that quite a few spags were lost amidst the truckloads of similar flicks churned out by the Italian studios in the genre's hayday. This is among the best. And it's one, even the American horse opera fans, will love.
Lee Van Cleef has always been an unsung hero. Although an instantly recognisable face with those cat-like eyes and chiselled cheekbones, there will be few casual film-goers who will be able to name many films of his outside of For a Few Dollars More (1965) and The Good, The Bad and the Ugly (1966). In Day of Anger, he may not take the lead role, but his Frank Talby, the dangerous yet charismatic gunfighter who wanders into town one day, steals the screen and your attention thanks to Van Cleef's formidable presence, proving that he was one of cinema's greatest character actors.
In the small town of Clifton, bastard-born street sweeper Scott Mary (Euro-western legend Giuliano Gemma) is ridiculed and bullied due to his social status. When Frank Talby strolls into Clifton on the back of his horse, he sides with Scott, and ends up shooting a man in his defence. When Frank leaves, Scott follows in the hope of being taught how to be a great gunfighter. Frank agrees, but has some brutal lessons to teach him. But they find themselves returning to Clifton in the search of money owed to Frank by Wild Jack (Once Upon a Time in the West's (1968) Al Mulock), where Frank hopes to deal some swift justice and make a mark of his own.
A protégé of Sergio Leone, this was director Tonino Valerri's second movie in the chair, and he certainly knows how to shoot a western. It doesn't share the extreme close-up's of Leone's work, but builds it's fair share of tension, climaxing in an inevitable yet thrilling climax between teacher and student. The film is superbly filmed, backed by a ridiculously catchy score by Riz Ortolani from which the title song was used in Django Unchained (2012). But the film's biggest boast is in the performances of Van Cleef and Gemma, the former proving he can play as good an anti-hero as any of his peers, and the latter convincing throughout his massive character shift. Highly recommended.
www.the-wrath-of-blog.blogspot.com
In the small town of Clifton, bastard-born street sweeper Scott Mary (Euro-western legend Giuliano Gemma) is ridiculed and bullied due to his social status. When Frank Talby strolls into Clifton on the back of his horse, he sides with Scott, and ends up shooting a man in his defence. When Frank leaves, Scott follows in the hope of being taught how to be a great gunfighter. Frank agrees, but has some brutal lessons to teach him. But they find themselves returning to Clifton in the search of money owed to Frank by Wild Jack (Once Upon a Time in the West's (1968) Al Mulock), where Frank hopes to deal some swift justice and make a mark of his own.
A protégé of Sergio Leone, this was director Tonino Valerri's second movie in the chair, and he certainly knows how to shoot a western. It doesn't share the extreme close-up's of Leone's work, but builds it's fair share of tension, climaxing in an inevitable yet thrilling climax between teacher and student. The film is superbly filmed, backed by a ridiculously catchy score by Riz Ortolani from which the title song was used in Django Unchained (2012). But the film's biggest boast is in the performances of Van Cleef and Gemma, the former proving he can play as good an anti-hero as any of his peers, and the latter convincing throughout his massive character shift. Highly recommended.
www.the-wrath-of-blog.blogspot.com
10bruce3
"Days of Wrath" is an excellent Spaghetti Western. Both Van Cleef and Gemma have excellent characterizations to portray; it is particularly interesting to witness Gemma's transformation from submissive outcast to dominating gunfighter. Van Cleef has one of his best non-Leone roles. A solid story, with a great music score and theme. Fans of the genre should not miss it. Some American video versions are highly edited; try to see the uncut version.
Day of Anger (1967) is considered a top 20 by most fans and critics. I definitely agree this is a great SW movie with good music and acting by Lee Van Cleef, and Gemma. The story is great about a simple man with dreams to have respect and to own his own colt, but unfortunately Scott Mary (Gemma) is treated like dirt by the townspeople of Clifton and verbally and physically abused and it is a revenge style theme about a man name Talby (Van Cleef), who gets out of jail and goes to collect 50,000 from Wild Jack, who in return was lied and double crossed by some of the good old folks of Clifton so Talby goes to collect and helps mentor Scott, who becomes a side kick. It all changes when Talby kills someone close to Scott and then he gets a reality check and faces off with his mentor. Movie is overall fast paced with good action and story.
Nothing here you haven't seen before if you're a fan of Italian westerns, but DAY OF ANGER develops its plot and characters carefully, keeping you on the edge of your seat throughout. Van Cleef is terrific--this is surely one of his finest moments--yet he's matched stride-for-stride by Giuliano Gemma and the rest of the cast, with solid performances from many bit players. The direction and camera work are first rate, also. It may fall just short of Leone and the first Django movie, but it's still a first-rate spaghetti western.
Storyline
Did you know
- TriviaAround the 27-minute mark Lee Van Cleef's character Talby walks through a street with white buildings. This is the exact same set seen in For a Few Dollars More (1964). also starring Van Cleef (and Clint Eastwood). The particular scene in this film is also shot from the exact same perspective and angle as in "For a Few Dollars More" when Eastwood's character has a short stand-off with three Mexican gunslingers.
- GoofsWhen Scott gees his horse to go after Talby in the English version, his yells are simply reused from the Italian version (despite their two voice actors sounding very different).
- Quotes
Frank Talby: Third lesson: never get between a gun and its target.
- ConnectionsEdited into The Writer (2012)
- How long is Day of Anger?Powered by Alexa
Details
- Runtime1 hour 51 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content
