| Complete credited cast: | |||
| Peter Cushing | ... | Baron Frankenstein | |
| Susan Denberg | ... | Christina | |
| Thorley Walters | ... | Doctor Hertz | |
| Robert Morris | ... | Hans | |
| Duncan Lamont | ... | The Prisoner | |
| Peter Blythe | ... | Anton | |
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Barry Warren | ... | Karl |
| Derek Fowlds | ... | Johann | |
| Alan MacNaughtan | ... | Kleve | |
| Peter Madden | ... | Chief of Police | |
| Philip Ray | ... | Mayor | |
| Ivan Beavis | ... | Landlord | |
| Colin Jeavons | ... | Priest | |
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Bartlett Mullins | ... | Bystander |
| Alec Mango | ... | Spokesman | |
A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, is found guilty of murdering the local pub owner with whom he had an argument where he foolishly swore to kill the man and Frankenstein acquires his body immediately after the execution. Hans had been quite friendly with the dead man's daughter Christina who returns just in time to see him guillotined. Distraught, she commits suicide and is brought back to life by the good Doctor but with Hans' brain replacing her own. As memories return to her - Hans' memories in fact - she sets out to pursue and kill those responsible for having sent him to his death. Written by garykmcd
I like this one a lot better than the previous sequel, even though it also lacks Christopher Lee. Cushing seems more interested in the script, though, and the whole concept is more engaging. Basically, Frankenstein is now working with an aging and drunken doctor in yet another small German town, and he discovers a means to preserve a soul and place it into (of course) a dead body. This time, though, he decides to try taking the soul of his young assistant, executed for a crime he did not commit, and place it into the body of said assistant's hot young lover (Susan Denberg), after she kills herself. The new man-woman becomes dedicated to killing the men who raped her and set him up to be framed. Again, this is rather racy stuff for the material, and there's an unfortunate lack of monster makeup (except for part of the film, in which Denberg has a facial deformity), but I quite enjoy it.