A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed ... See full summary »
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
The elderly bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for vampires. Alfred falls in love with the inn-keeper's young daughter Sarah. However, she has been spotted by the mysterious count Krolock who lives in a dark and creepy castle outside the village...Written by
Originally Roman Polanski wanted to shoot his film on location in and around a castle in Switzerland which he saw during a vacation, but as this was impossible, other locations in the Alps were found, along with studio shoots in England. While on location, Polanski employed dozens of local artisans to make the large numbers of coffins needed in the film. Unfortunately tourists were rather unnerved by the sight of these, and hotels had to erect signs to assure their guests that the area hadn't been struck by plague. See more »
When the three escape from the dance, they come across bats hanging from the ceiling and the Professor starts studying them. When Alfred pulls him, the Professor stumbles across rocks on the ground which are obviously much lighter than real rocks would be. See more »
Roman Polanski's tongue-in-cheek look at classic Gothic vampire stories takes a rather bizarre approach to its material by giving us two bumbling vampire hunters who seem to always lose their prey and never seem to be aware of their immediate surroundings. Is this supposed to be funny?
Apparently so, but because it is so unique in its approach, it will divide viewers and I happen to fall on the negative side. The story takes too long to set up before it lands at the setting where it is supposed to and Polanski and Jack MacGowran's acting leave something to be desired.
The only true bright spot of the film is the luminous presence of Sharon Tate, who shows with her flaming red hair and soft, pale complexion why Polanski fell for her and the potential she had as an actress. Knowing her grim destiny only adds to the heaviness of this picture, which is certainly one to forget amongst the Polanski oeuvre.
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