A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed ... See full summary »
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
The elderly bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for vampires. Alfred falls in love with the inn-keeper's young daughter Sarah. However, she has been spotted by the mysterious count Krolock who lives in a dark and creepy castle outside the village...Written by
For the ballroom scene (when the music stops and only three people are visible in a huge mirror despite of a few dozen vampires in the room) Roman Polanski had the room completely copied behind a fake mirror with three doubles acting as the human protagonists. See more »
As Koukol places the lid onto Herbert's coffin, the edge of one of his "ugly hand" rubber gloves becomes visible. See more »
In the opening credits the MGM-lion transforms into a vampire. See more »
This film was originally released in the United States in an edited version. This version was shortened by approx. 20 minutes, all actors voices redubbed to make them more American-sounding (most notably that of Abronsius), the music was slightly altered and a cartoon prologue featuring Abronsius & Alfred was added. This was done by producer Martin Ransohoff without Roman Polanski's approval. Other edits included the shortening of the trip to Krolock's castle, the shots of Shagal watching the maid cleaning the floor as he stomps the sauerkraut, and Alfred searching for the mysterious voice in the castle corridors. Ransohoff also tried to have the American version distributed under the title "The Fearless Vampire Killers: or, Pardon Me But Your Teeth are in my Neck". Upon seeing this American version, Polanski tried to have his name removed from the credits. The prints that are currently being used have been restored to their original British length of 107 minutes and carry the title of simply "The Fearless Vampire Killers". See more »
The title "fearless vampire killers" it's not so good as "Dance of the Vampires",outside U.S. this is the original title
I always will remember this film as "Dance of the Vampires" ALSO,CONGRATULATIONS to Mr Polanski for the Palme D' Or, he deserves it(without him just cinema "boring")
I enjoyed poetic scenes such as like moment in Sarah's bath comparing the textures of first soap bubbles, then falling snowflakes, and finally crimson blood. when Alfred(Polanski) carries his master across the castle battlements remind me of Polanski early short films. Krystov Komeda's music has been acclaimed as "the most innovative and haunting score ever devised for a horror movie" by the heavyweight Aurum Film Encyclopedia. Krystof Komeda's wondrous music, with its weird choral effects and little melodies Komeda's score communicates the Kafka-like isolation of the setting and the characters
Polanski chose some of the finest English cinema craft artists to work on the film: cameraman Douglas Slocombe, production designer Wilfrid Shingleton Polanski engaged noted choreographer Tutte Lemkow, who played the actual Fiddler in FIDDLER ON THE ROOF, for the film's climactic Danse Macabre minuet.
Sharon Tate as Sarah was delightful(we should remember her in a good way,as a decent actress and person,her scene with Polanski is really cool ,especially "the bite scene") Jack MacGowran as Professor Abronsius is just great Polanski's films often deal in contrasts of master and servant, the empowered and the powerless. The supposedly benign Abronsius bullies Alfred for his own purposes, just as the vampires consider all of humankind a resource to be harvested.
The character called Shagal got the best lines in the movie,when A woman thrusts a crucifix in his face, only for Shagal - a Jewish rather than a Christian vampire - to go "Oy-yoy! You got the wrong vampire" and bite her anyway Count Von Krolock (Ferdy Mayne, who plays the Count)he looks really as a Nosferatu or a man that needs Transfusion!.
Also funny is Herbert, the openly gay vampire who is interested in Alfred rather than Sara, the sexual deviations implicit in early Hammer films like The Brides of Dracula (1960) and Kiss of the Vampire (1964) are brought out. Hammer would increasingly exploit this in their lesbian
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