In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
An art director in the 1930s falls in love and attempts to make a young woman an actress despite Hollywood who wants nothing to do with her because of her problems with an estranged man and her alcoholic father.
Johnnie Byrne is a member of the British Parliament. In his 40s, he's feeling frustrated with his life and his personal as well as professional problems tower up over him. His desires to ... See full summary »
Based on Thomas Hardy's 19th century novel, Bathsheba Everdene is a willful, passionate girl who is never satisfied with anything less than a man's complete and helpless adoration. And she captures the lives and loves of three very different men: Gabriel Oak, a sheep farmer who is captivated by her beauty and proposes marriage; William Boldwood, a prosperous man in his early forties and a confirmed bachelor; and Sergeant Frank Troy, a handsome, reckless swordsman given to sudden fits of violence.Written by
During the "pie in the face" circus scene, the cream is piled on contemporary 1960s white paper plates with fluted edges. Disposable paper plates were invented in the early 1900s. The movie time frame (which differs slightly from the book) ends around 1868. See more »
He is married to his farm. That's the truth of it.
There's no woman can touch him, Miss. 'Tis said he has no passionate parts.
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The 2009 Warner Home Video DVD restores 3 minutes of footage that were cut from the original release. The running time on this release is 171 minutes. See more »
This is a brilliant film from beginning to end and Julie Christie delivers one of the great female performances in movies. She is enchanting and utterly charming dominating every scene she's in because she is just so incredibly beautiful. Her three male co-stars, however, shine just as well and it's difficult to say which one is the best because they are all so good. It's the director, of course, who is responsible for creating this incredible ensemble of acting and John Schlesinger is one of the great directors who reigns at the peak of his field. But ultimately the film belongs to Julie Christie who is in virtually every scene. The promise she showed in Darling for which she won the Oscar is more than demonstrated here where she is so great she can only be compared with Garbo, Hepburn, Crawford or Davis. I am a Julie Christie fan forever.
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